{"id":1888,"date":"2024-09-23T16:01:06","date_gmt":"2024-09-23T15:01:06","guid":{"rendered":"https:\/\/blog.westminster.ac.uk\/diasporicchinesemuseums\/?page_id=1888"},"modified":"2024-09-29T15:26:06","modified_gmt":"2024-09-29T14:26:06","slug":"public-talk-11-20-september-2024","status":"publish","type":"page","link":"https:\/\/blog.westminster.ac.uk\/diasporicchinesemuseums\/public-talk-11-20-september-2024\/","title":{"rendered":"Public Talk 11, 20 September 2024"},"content":{"rendered":"\t\t
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Art as a Bridge: The Role of the He Xiangning Art Museum in Enhancing China’s Relationship with the Overseas Chinese<\/strong><\/h1>

\u4ee5\u827a\u4e3a\u6865\uff1a\u4f55\u9999\u51dd\u7f8e\u672f\u9986\u5728\u589e\u8fdb\u4e2d\u56fd\u4e0e\u6d77\u5916\u534e\u4eba\u8054\u7cfb\u4e2d\u7684\u4f5c\u7528<\/strong><\/h1>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Art as a Bridge: The Role of the He Xiangning Art Museum in Enhancing China’s Relationship with the Overseas Chinese<\/strong><\/p>

\u4ee5\u827a\u4e3a\u6865\uff1a\u4f55\u9999\u51dd\u7f8e\u672f\u9986\u5728\u589e\u8fdb\u4e2d\u56fd\u4e0e\u6d77\u5916\u534e\u4eba\u8054\u7cfb\u4e2d\u7684\u4f5c\u7528<\/strong><\/p>

Date: <\/strong>Friday 20 September 2024<\/p>

Time: <\/strong>12:00 pm to 13:30 pm (BST)<\/p>

Venue: <\/strong>Online via Zoom<\/p>

The event is free to attend and open to all.\u00a0<\/p>

Zoom ID: <\/strong>849 7996 8532<\/p>

Password: <\/strong>12345<\/p>

Zoom meeting link:<\/strong><\/p>

https:\/\/ntu-sg.zoom.us\/j\/84979968532?pwd=LogccVmU7Yrra0mgiZvr3NfuVqa0Kq.1<\/a><\/p>

The talk will be given in Mandarin Chinese. Simultaneous translation into English will be provided. <\/em><\/p>

Chair<\/strong>: Yow Cheun Hoe, Director of the Chinese Heritage Centre, Singapore<\/p>

Speaker<\/strong>: Cai Xianliang, Director of the He Xiangning Art Museum, China<\/p>

Abstract<\/strong><\/p>

He Xiangning Art Museum is the first national art museum in China named after an individual and has the richest collection of He Xiangning’s works and historical documents in the world. It is the main collection organisation and research institution for He Xiangning’s art works and documents, and its daily work mainly focuses on research, exhibitions, publications, and public education activities. In her early years, He Xiangning had a long history of revolutionary activities overseas, and had extensive and deep connections with overseas countries, thus becoming an important bridge between overseas Chinese and China. In her later years, He Xiangning mainly focused on hosting national overseas Chinese affairs. He Xiangning Art Museum located in Shenzhen adheres to the spirit of He Xiangning and her deep affection for overseas Chinese, attaches great importance to the development of overseas Chinese art, planning a series of thematic exhibitions of overseas Chinese art, fine art exhibitions, and becomes an important platform for the exchange, introduction and promotion of contemporary Chinese art. It has become an important platform for the exchange, introduction and promotion of contemporary Chinese art.<\/p>

The event is jointly hosted by HOMELandS<\/a> (Hub On Migration, Exile, Languages and Spaces) at the University of Westminster and the Chinese Heritage Centre<\/a> of Nanyang Technological University, Singapore. It is organised as part of the \u2018Global Diasporic Chinese Museums Network Initiative<\/a>\u2019 project funded by AHRC.<\/p>

About the speaker<\/strong>:<\/p>

Cai Xianliang, Director of the He Xiangning Art Museum. He is a Professor and member of the Xiling Yinshe Society and Chinese Calligraphers Association. He is the main researcher of five provincial and ministerial-level projects, including \u201cOrganization and Research of Yuan, Ming and Qing Dynasty Poems on Calligraphy\u201d and \u201cExamination of Yuan Dynasty Calligraphers\u201d. He is the author of Studies on Song Dynasty Poetry in Calligraphy<\/em>, History of Calligraphy in Poetry<\/em>, Kang Youwei<\/em>, History of Calligraphy<\/em>, Zhang Jingxiu<\/em>.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u8bb2\u5ea7\u7eaa\u8981 | \u5168\u7403\u534e\u4fa8\u534e\u4eba\u535a\u7269\u9986\u534f\u4f5c\u9879\u76ee\u7ebf\u4e0a\u8bb2\u5ea7\u7cfb\u5217\u5341\u4e00<\/span><\/a><\/h3>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

Art as a Bridge: The Role of the He Xiangning Art Museum in Enhancing China’s Relationship with the Overseas Chinese \u4ee5\u827a\u4e3a\u6865\uff1a\u4f55\u9999\u51dd\u7f8e\u672f\u9986\u5728\u589e\u8fdb\u4e2d\u56fd\u4e0e\u6d77\u5916\u534e\u4eba\u8054\u7cfb\u4e2d\u7684\u4f5c\u7528 \/*! elementor – v3.6.0 – 21-03-2022 *\/ .elementor-widget-image{text-align:center}.elementor-widget-image a{display:inline-block}.elementor-widget-image a img[src$=”.svg”]{width:48px}.elementor-widget-image img{vertical-align:middle;display:inline-block} Art as a Bridge: The Role of the He Xiangning Art Museum in Enhancing China’s Relationship with the Overseas Chinese \u4ee5\u827a\u4e3a\u6865\uff1a\u4f55\u9999\u51dd\u7f8e\u672f\u9986\u5728\u589e\u8fdb\u4e2d\u56fd\u4e0e\u6d77\u5916\u534e\u4eba\u8054\u7cfb\u4e2d\u7684\u4f5c\u7528 Date: … <\/p>\n

Read more “Public Talk 11, 20 September 2024”<\/span><\/a><\/p>\n","protected":false},"author":232,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_inspiro_hide_title":false,"footnotes":""},"class_list":["post-1888","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/blog.westminster.ac.uk\/diasporicchinesemuseums\/wp-json\/wp\/v2\/pages\/1888","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.westminster.ac.uk\/diasporicchinesemuseums\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/blog.westminster.ac.uk\/diasporicchinesemuseums\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/blog.westminster.ac.uk\/diasporicchinesemuseums\/wp-json\/wp\/v2\/users\/232"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.westminster.ac.uk\/diasporicchinesemuseums\/wp-json\/wp\/v2\/comments?post=1888"}],"version-history":[{"count":16,"href":"https:\/\/blog.westminster.ac.uk\/diasporicchinesemuseums\/wp-json\/wp\/v2\/pages\/1888\/revisions"}],"predecessor-version":[{"id":1920,"href":"https:\/\/blog.westminster.ac.uk\/diasporicchinesemuseums\/wp-json\/wp\/v2\/pages\/1888\/revisions\/1920"}],"wp:attachment":[{"href":"https:\/\/blog.westminster.ac.uk\/diasporicchinesemuseums\/wp-json\/wp\/v2\/media?parent=1888"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}