{"id":2875,"date":"2017-12-08T16:56:25","date_gmt":"2017-12-08T16:56:25","guid":{"rendered":"http:\/\/westminsterradio.net\/?p=2875"},"modified":"2017-12-08T16:56:25","modified_gmt":"2017-12-08T16:56:25","slug":"simon-woolcott-4","status":"publish","type":"post","link":"https:\/\/blog.westminster.ac.uk\/radio\/simon-woolcott-4\/","title":{"rendered":"Simon Woolcott"},"content":{"rendered":"

a) Written Pitch: To Steven at Ignite Books<\/i><\/b><\/span><\/p>\n

Dear Steven,<\/span><\/p>\n

My name is Simon Woolcott and I\u2019m currently studying for a BA in Radio & Digital Production at the University of Westminster. As part of my course I am required to seek a commission to make a piece of audio.<\/span><\/p>\n

Having put out some feelers, I received a reply from Ian Elmslie in which he expressed an interest in an audiobook of his autobiographical volume \u2018A Marvellous Party\u2019. As I was familiar with the book I agreed that the idea of an audio version had merit.<\/span><\/p>\n

Ian and I have had an initial meeting in which we discussed tasking the idea further and creating dramatisations of particular sections, something which my tutor had suggested. Having concurred that \u2018A Marvellous Party\u2019 lends itself to such a treatment, we agreed that I should approach you with a formal proposal with a view to obtaining a commission from Ignite to produce some dramatisations. Said proposal follows:<\/span><\/p>\n

Ian Elmslie – A Marvellous Party<\/b><\/span><\/p>\n

Proposal: A dramatised audiobook<\/span><\/p>\n

The statistics<\/b><\/span><\/p>\n

While sales of e-books have been declining over recent years (Good E Reader, 2016), the sale of audiobooks in the US increased by 31% between 2015 and 2016.<\/span><\/p>\n

However, Good E Reader (2016) suggest that one of the biggest trends in the audiobook industry in 2016 was the \u201clack of innovation and risk\u201d.<\/span><\/p>\n

The sharp increase in audiobook uptake is a recent occurrence. According to Neilson Book Research, by 2016 audiobooks had become the fasted growing format in publishing. Over half of audiobook consumers in the UK started purchasing and listening to the medium in the last two years. (GQ, 2017).<\/span><\/p>\n

Dramatised<\/b><\/span><\/p>\n

Although \u2018radio drama\u2019 had been in decline since its heydey in America, with the last bastion of the radio drama, the BBC, axing the Friday Play from its schedules in 2010, the genre of \u2018audio drama\u2019 is on the rise thanks to podcasts (Popmatters, 2013).<\/span><\/p>\n

According to Time Magazine (2017), The podcast renaissance is showing no signs of slowing down with drama, comedy and history podcasts among the 50 best podcasts currently available.<\/span><\/p>\n

Bestsellers<\/b><\/span><\/p>\n

Both Roberts Webb\u2019s: How Not To Be A Boy and Matt Lucas\u2019: Little Me, are sitting at the top of the best seems list on audible (audible.co.uk, 2017).<\/span><\/p>\n

It is hardly surprising that the two most popular biographical books are read by theatrically trained comic actors. Their stagecraft gives them the ability to lift their words off the page with a dramatic flair, making for a more entertaining listen.<\/span><\/p>\n

Proposal details<\/b><\/span><\/p>\n

Ian Elmslie\u2019s book is hugely enjoyable read, but an audio version read by Ian, who like Robert Webb and Matt Lucas is theatrically trained, would be sure to delight audiences.<\/span><\/p>\n

Dramatising some of the settings and details for some of the situation in which he meets the famous and sometimes infamous characters would lift the chapters even further from the page. Further, casting actors to play opposite Ian to dramatise certain passages would be sure to enhance the reputation of \u2018A Marvellous Party: An Audio Dramatisation\u2019 and help spread word of the book\u2019s warmth, humour and pure entertainment value.<\/span><\/p>\n

At no cost to author or publisher, I propose to make recordings of dramatisation of two or three passages of the book as an example, in the hope that I may be commissioned to provide a similar treatment for more of this hugely enjoyable volume.<\/span><\/p>\n

If given the go-ahead, I would make arrangements to discuss with Ian which passages it would be pertinent to dramatise in the first instance. If commissioned, these recording would be available for your perusal by the middle of December.<\/span><\/p>\n

Thank you for your time, I look forward to hearing from you.<\/span><\/p>\n

With best wishes,<\/span><\/p>\n

Simon Woolcott.<\/span><\/p>\n

 <\/p>\n

b) Confirmation artefact: <\/b>The email I received from Ignite Books confirming the commission<\/i><\/span><\/p>\n

\"\"
Commissioning email<\/figcaption><\/figure>\n

 <\/p>\n

c) Cue: <\/b>Short paragraph to introduce the audio<\/i><\/span>\u00a0<\/span><\/p>\n

\u00a0A Marvellous Party by Ian Elmslie \/ Dramatisation Package<\/span><\/p>\n

12.12.17 Simon Woolcott<\/span><\/p>\n

A Marvellous Party is a candid account of Ian Elmslie\u2019s journey from his childhood home in the suburbs to the heart of London\u2019s alternative cabaret scene.<\/span><\/p>\n

After three years at drama school at the end of the 80s, Ian found infamy as one half of musical comedy duo Katrina and The Boy.<\/span><\/p>\n

Championed by Paul O\u2019Grady, they rose to the top of Britain\u2019s gay cabaret circuit picking up a myriad of awards along the way, and garnering many a famous fan.<\/span><\/p>\n

This memoir pays tribute to the gay community and is an open letter to many of Ian\u2019s personal heroes, some of whom he was lucky enough to meet along the way.<\/span><\/p>\n

These are dramatised excerpts from Ian\u2019s story and feature encounters with Julie Walters, Armistead Maupin and a moving tribute to David Bowie.<\/span><\/p>\n

[CLIP]
\nIN: As one-half of celebrated cabaret darlings . . . .
\nOUT: . . . . it was produced and directed by Simon Woolcott (Music fade)
\nDUR: 20\u201910\u201d<\/span><\/p>\n

BACK: That was a dramatisation of excerpts from \u2018A Marvellous Party\u2019 by Ian Elmslie.<\/span><\/p>\n