Read by: Sofia Lopocaro <\/span><\/p>\n With special commentary by the author <\/span><\/p>\n Intro:<\/b><\/p>\n In this teaser, you will hear a selection of poems from the second addition of Caitlyn Siehl\u2019s \u2019 \u00a0\u201cWhat We Buried.\u201d With the use of a mix of found sounds, built soundscapes, original scores and voice actors you will be fully immersed in her capturing words about unrequited love. <\/span><\/p>\n <\/p>\n *IT IS ADVISED THAT YOU LISTEN TO THIS PIECE WITH HEADPHONES*<\/strong><\/p>\n <\/p>\n Link:\u00a0<\/b><\/p>\n https:\/\/soundcloud.com\/pulamakaufman\/what-we-buried-audiobook-teaser\/s-SQbr1<\/p>\n Duration: 13:03<\/b><\/p>\n In: <\/b>…What we buried by <\/span><\/p>\n Out:\u00a0<\/b>…completely to yourself<\/p>\n Tweet: <\/b><\/p>\n The long anticipated #audiobook of @caytlin_siehl poetry collection, What We Buried is available for pre order now! If you fancy a teaser before you buy, you can listen here -> <\/span><\/p>\n <\/p>\n <\/p>\n Short Synopsis <\/b><\/p>\n An experimental audio book that will utilize found sounds, recorded materials, an original score and the voice over artists to illustrate the imagery of the poetry in What We Buried. <\/span><\/p>\n <\/p>\n Treatment <\/b><\/p>\n This piece will be a mix between an audio book and an experimental audio journey. I feel that poetry lends itself to be interpreted in many ways and therefore a standard audio book would not truly capture the essence of the poetry. By using more experimental treatments woven into found sounds and live recordings I can create a listening experience that will really immerse the listeners into the words. <\/span><\/p>\n I will use a voice over artist with an American accent to narrate as the author is American and her words will sound not natural that way. <\/span><\/p>\n I want to make sure that listeners feel fully engrossed while they listen to this audio book so I will interlink the poetry pieces and the commentary in a way that it continually flows. <\/span><\/p>\n By using different treatments I can also keep the listen engaging and dynamic. A handful of poems will be produced using more experimental techniques and abstract noises. Others will be produced more as soundscapes that reflect the themes and feelings in a selection of poems. And lastly, I will create an original score to use in a few poems that lend themselves to a more stripped back production style. <\/span><\/p>\n This new style of audio book production will engage and unite fans of Caitlyn’s; work, audiobook listeners and radio audiences alike.<\/span><\/p>\n Proof of Commission:<\/b><\/p>\n Image:<\/strong><\/p>\n Music Reporting:<\/b><\/p>\n <\/p>\n 102 (Accoustic)<\/span><\/i><\/p>\n The 1975<\/span><\/p>\n Dirty Hit Record<\/span><\/p>\n Accessed: <\/span>https:\/\/www.youtube.com\/watch?v=SLrqm8F7TgM<\/span><\/a><\/p>\n Duration used: 00:12<\/span><\/p>\n <\/p>\n Sites Used:<\/b><\/p>\n![\"\"](\"http:\/\/blog.westminster.ac.uk\/radio\/wp-content\/uploads\/sites\/65\/2018\/12\/Screen-Shot-2018-12-10-at-10.28.23-PM-2-300x117.png\")
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