{"id":7055,"date":"2019-12-13T12:09:03","date_gmt":"2019-12-13T12:09:03","guid":{"rendered":"http:\/\/westminsterradio.net\/?p=7055"},"modified":"2019-12-13T12:09:03","modified_gmt":"2019-12-13T12:09:03","slug":"the-queer-space","status":"publish","type":"post","link":"https:\/\/blog.westminster.ac.uk\/radio\/the-queer-space\/","title":{"rendered":"The Queer Space"},"content":{"rendered":"<p>&nbsp;<\/p>\n<p><strong>The Queer Space<\/strong><\/p>\n<p><strong>CUE:<\/strong><\/p>\n<p><span style=\"font-weight: 400\">Queer artists have been present in the music industry for years. Artists like prince, bowie, king princess and Hayley kyoko have opened up the industry to queer representation but at what cost? What\u2019s it really like being queer in the British music industry? My name is Charlie Kelly and\u00a0 I spoke to two uk based queer artists, Glasgow via Moscow\u2019s Sofya Staune owner of queer agency vaj power and bebe luna a musical artist from Somalia based In London, I spoke to them about their feelings on queerness, marginalization and queer culture and how they navigate their way in an industry which is still evolving.<\/span><\/p>\n<p><iframe loading=\"lazy\" title=\"The Queer Space - Charlie Kelly\" width=\"500\" height=\"375\" src=\"https:\/\/www.youtube.com\/embed\/UgWs5CUWbLs?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><strong>IN:\u00a0<\/strong>\u201cNot every LGBT&#8230;\u201d<\/p>\n<p><strong>OUT:<\/strong>\u00a0\u201cAdvocate for Representation\u201d<\/p>\n<p><strong>DUR:\u00a0<\/strong>9\u203326<\/p>\n<p>\u2014<\/p>\n<p><strong>Intended Broadcaster:\u00a0<\/strong>BBC Sounds\/BBC3<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; The Queer Space CUE: Queer artists have been present in the music industry for years. Artists like prince, bowie, king princess and Hayley kyoko have opened up the industry to queer representation but at what cost? What\u2019s it really&#8230;<\/p>\n","protected":false},"author":539,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[20],"tags":[],"class_list":["post-7055","post","type-post","status-publish","format-standard","hentry","category-storytelling-archive"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/blog.westminster.ac.uk\/radio\/wp-json\/wp\/v2\/posts\/7055","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.westminster.ac.uk\/radio\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.westminster.ac.uk\/radio\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.westminster.ac.uk\/radio\/wp-json\/wp\/v2\/users\/539"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.westminster.ac.uk\/radio\/wp-json\/wp\/v2\/comments?post=7055"}],"version-history":[{"count":0,"href":"https:\/\/blog.westminster.ac.uk\/radio\/wp-json\/wp\/v2\/posts\/7055\/revisions"}],"wp:attachment":[{"href":"https:\/\/blog.westminster.ac.uk\/radio\/wp-json\/wp\/v2\/media?parent=7055"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.westminster.ac.uk\/radio\/wp-json\/wp\/v2\/categories?post=7055"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.westminster.ac.uk\/radio\/wp-json\/wp\/v2\/tags?post=7055"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}