{"id":19376,"date":"2017-11-22T19:30:16","date_gmt":"2017-11-22T19:30:16","guid":{"rendered":"http:\/\/thevoiceoflondon.co.uk\/?p=19376"},"modified":"2017-11-22T19:30:16","modified_gmt":"2017-11-22T19:30:16","slug":"tates-adult-playground-installation","status":"publish","type":"post","link":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/tates-adult-playground-installation\/","title":{"rendered":"Tate Modern&#8217;s Adult Playground"},"content":{"rendered":"<h6>Words: Claudia Jackson\u00a0|\u00a0Subbing: Tracey Popoola<\/h6>\n<h3>If the grey skies have got you down, perhaps you should grab a friend or two and visit the new installation at the Tate Modern.<\/h3>\n<p>Danish artist collective SUPERFLEX created the installation, appropriately called &#8216;One, Two, Three, Swing!&#8217; for the third annual Hyundai commission. Although it may look like a fun playground, there is a deeper meaning behind the project.<\/p>\n<p>The installation is split into three sections, which represent apathy, production and movement. As you walk down Turbine hall, there is a stripey carpet that covers the sloping entrance. Above there is a mammoth sized mirrored pendulum that swings back and forth.<\/p>\n<p>Next is the main event. 22 swings three-person swings fill the lower part of the hall. The whole thing had to be carefully designed so visitors do not kick other passersby. There is also a section where you can assemble swings for yourself in a factory.<\/p>\n<p>According to the Guardian: \u201cThe idea is that people can have fun while contemplating bigger issues such as community, capitalism or themselves.\u201d<\/p>\n<p>We went to check out the installation for ourselves. &#8211; Check out the video!<\/p>\n<p>The interactive installation is available to visit until the 2<sup>nd<\/sup> of April 2018<\/p>\n<p>&nbsp;<\/p>\n<p>[youtube https:\/\/www.youtube.com\/watch?v=krPK7496KKM&amp;w=560&amp;h=315]<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Words: Claudia Jackson\u00a0|\u00a0Subbing: Tracey Popoola If the grey skies have got you down, perhaps you should grab a friend or two and visit the new installation at the Tate Modern. Danish artist collective SUPERFLEX created&#8230;<\/p>\n","protected":false},"author":476,"featured_media":19391,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[42,52,127],"tags":[],"class_list":["post-19376","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-entertainment","category-featured","category-theatre-arts"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/posts\/19376","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/users\/476"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/comments?post=19376"}],"version-history":[{"count":0,"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/posts\/19376\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/media\/19391"}],"wp:attachment":[{"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/media?parent=19376"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/categories?post=19376"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/tags?post=19376"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}