{"id":25130,"date":"2018-11-08T16:57:46","date_gmt":"2018-11-08T16:57:46","guid":{"rendered":"http:\/\/thevoiceoflondon.co.uk\/?p=25130"},"modified":"2018-11-08T16:57:46","modified_gmt":"2018-11-08T16:57:46","slug":"widows-review-is-viola-davis-eyeing-up-another-oscar","status":"publish","type":"post","link":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/widows-review-is-viola-davis-eyeing-up-another-oscar\/","title":{"rendered":"Widows Review: Is Viola Davis eyeing up another Oscar?"},"content":{"rendered":"<p><b>Widows hit cinemas this week, an action-thriller from the Academy Award winning director of 12 Years a Slave, Steve McQueen. He teams up with an all star cast that includes Viola Davis, Liam Neeson, Daniel Kaluuya and Michelle Rodriguez.<\/b><\/p>\n<p>A group of women are left heartbroken and financially broken when their husbands are killed during an attempted heist. Now they are left to pick up the pieces and pay back the money their husbands owe.<\/p>\n<p><span style=\"font-weight: 400\">From the very beginning, Widows is an emotional rollercoaster. In the first five minutes alone, McQueen sends you back and forth between moments of intimacy and love, edited in stark contrast with action and violence.<\/span><\/p>\n<p><span style=\"font-weight: 400\">As always, it is a pleasure to watch Davis at work. As Veronica she manages to bring complete subtlety to the character, allowing us to mistake this for naivety, and matches this with dramatic explosions of emotion.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>https:\/\/www.instagram.com\/p\/BpU5VIJn_bl\/<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400\">The latter can be a tricky thing to pull off. In one scene, her character sits alone in a bathroom, screaming and crying into a mirror. This does feel a little unrealistic &#8211; but it is certainly a refreshing display of emotional vulnerability that was necessary in humanising the character.<\/span><\/p>\n<p>In an interview with the BBC that later went <a href=\"https:\/\/www.independent.co.uk\/arts-entertainment\/films\/news\/widows-viola-davis-film-liam-neeson-kiss-opening-scene-steve-mcqueen-a8629746.html\">viral<\/a> on Twitter, Davis explained the significance behind the opening scene where she shares a bed with her on-screen husband Liam Neeson.<\/p>\n<p>Davis, 53, said:\u00a0\u201cThe film begins with me in bed with Liam Neeson, and we\u2019re kissing, and it\u2019s a sexualised kiss.\u00a0Here I am, I\u2019m dark, I\u2019m 53, I\u2019m in my natural hair&#8230; and I\u2019m with Liam Neeson. I\u2019m with what America would consider to be a \u2018hunk\u2019.<\/p>\n<div id=\"teads-amp-ad\" class=\"ad-wrapper ad-wrapper--mobile\">\u201cHe\u2019s not my slave owner. I\u2019m not a prostitute. It\u2019s not trying to make any social or political statements. We\u2019re simply a couple in love. And what struck me\u00a0in the narrative is that I\u2019d never seen it before.&#8221;<\/div>\n<div><\/div>\n<div><\/div>\n<div><\/div>\n<blockquote class=\"twitter-tweet\" data-width=\"500\" data-dnt=\"true\">\n<p lang=\"en\" dir=\"ltr\">&quot;I&#39;m dark, I&#39;m 53, I&#39;m in my natural hair \u2013 I&#39;m in bed with Liam Neeson. And he&#39;s not my slave owner. I&#39;m not a prostitute. We simply are a couple in love. I&#39;ve never seen it before.&quot; <a href=\"https:\/\/t.co\/0vtaUM8338\">pic.twitter.com\/0vtaUM8338<\/a><\/p>\n<p>&mdash; Diversity School (@DiverseSchool) <a href=\"https:\/\/twitter.com\/DiverseSchool\/status\/1061261412251717633?ref_src=twsrc%5Etfw\">November 10, 2018<\/a><\/p><\/blockquote>\n<p><script async src=\"https:\/\/platform.twitter.com\/widgets.js\" charset=\"utf-8\"><\/script><\/p>\n<p>&nbsp;<\/p>\n<p>The diversity of this cast is one of the film&#8217;s greatest strengths, with a range of racial backgrounds and talents that merge together to create something truly special.<\/p>\n<p><span style=\"font-weight: 400\">Davis does get free rein to showcase her abilities but the supporting performances all certainly hold their own. <\/span><span style=\"font-weight: 400\">Kaluuya is terrific and portrays perhaps one of the cruellest villains in a mainstream film that has been seen for some time. It is not completely out of the question to imagine him in the Best Supporting Actor category at the Oscars this year.<\/span><\/p>\n<p><span style=\"font-weight: 400\">It is the women in this film that really have a moment to shine, though. Elizabeth Debicki, Michelle Rodriguez and Cynthia Erivo, along with Davis, create such a powerful dynamic as a group that works perfectly in convincing you that they really could pull off this heist together.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><iframe loading=\"lazy\" title=\"Widows | Official Trailer [HD] | 20th Century FOX\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/nN2yBBSRC78?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400\">The storytelling and acting performances alone are enough to make this film worth watching, but that matched with the stylistic camerawork from McQueen makes it simply unmissable.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Despite the film being near perfect, there is still much <a href=\"http:\/\/www.vulture.com\/2018\/09\/oscars-predictions-2019-widows.html\">discussion<\/a><\/span><span style=\"font-weight: 400\">\u00a0about whether Widows is really an Oscar type of film. This narrative is reminiscent of the <em>Get Out<\/em> <a href=\"https:\/\/www.voanews.com\/a\/comedy-or-not-get-out-is-unique-oscar-contender\/4119791.html\">conversation<\/a> last year, which ultimately led to people grossly underestimating it\u2019s abilities (and an Oscar win for Jordan Peele).<\/span><\/p>\n<p><span style=\"font-weight: 400\">As shown in the film, being underestimated can sometimes work in your favour. With such a strong group of talent, it is hard to imagine a world where this film isn\u2019t rewarded on the\u00a0<\/span><span style=\"font-weight: 400\">biggest scale. The best thing, Veronica says, that the group have going for them is being who they are, because \u201cnobody thinks we have the balls to pull this off.\u201d<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Words and featured image: Christian Onions | Subbed: Tabitha\u00a0<\/strong><b>Durrant<\/b><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Widows hit cinemas this week, an action-thriller from the Academy Award winning director of 12 Years a Slave, Steve McQueen. He teams up with an all star cast that includes Viola Davis, Liam Neeson, Daniel&#8230;<\/p>\n","protected":false},"author":476,"featured_media":29027,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[42],"tags":[],"class_list":["post-25130","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-entertainment"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/posts\/25130","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/users\/476"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/comments?post=25130"}],"version-history":[{"count":0,"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/posts\/25130\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/media\/29027"}],"wp:attachment":[{"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/media?parent=25130"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/categories?post=25130"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/tags?post=25130"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}