{"id":27240,"date":"2018-11-30T15:49:05","date_gmt":"2018-11-30T15:49:05","guid":{"rendered":"http:\/\/thevoiceoflondon.co.uk\/?p=27240"},"modified":"2018-11-30T15:49:05","modified_gmt":"2018-11-30T15:49:05","slug":"more-power-to-her-taylor-swift-praised-for-her-new-record-label","status":"publish","type":"post","link":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/more-power-to-her-taylor-swift-praised-for-her-new-record-label\/","title":{"rendered":"“More power to her” – Taylor Swift praised for her new record label"},"content":{"rendered":"

Alan McGee,\u00a0the former record label owner of Creation Records, commends Taylor Swifts \u201ctremendous\u201d attitude in demanding music ownership and artist royalty payout in her new Universal Music Group contract. <\/strong><\/p>\n

In an interview with Voice of London, McGee said he has never seen an artist making these types of contract demands especially \u201cnever for the benefit of anyone else other than themselves\u201d<\/span><\/p>\n

\u201cThey don\u2019t usually try and do that. They don\u2019t care,\u201d he admitted. \u201cI think the fact that she cares enough to worry about some little band – more power to her.\u201d<\/span><\/p>\n

Oasis, Primal Screams, My Bloody Valentine, and The Jesus and Mary Chain are just a few of the bands signed with Creation Records during the 1990s. <\/span>McGee split the profit 50-50 with bands signed under the label.<\/span><\/p>\n

However, he recognizes the role streaming services play in the modern music landscape as Spotify has \u201cnever been a space as a music industry before. It\u2019s all about fan power.\u201d \u00a0<\/span><\/p>\n

\u201cThe NME and the music I\u2019m involved in use to make or break bands. Now what someone says about a band in the media – nobody cares.\u201d \u00a0\u00a0<\/span><\/p>\n

Although Swift has backlashed against streaming services, McGee is for them as people have access to a collection of music for a small fee. <\/span><\/p>\n

Last week, Taylor Swift announced she\u2019s signed a new deal with <\/span>Universal Music Group. <\/span><\/p>\n

\u201cAs part of my new contract with Universal Music Group, I asked that any sale of their Spotify shares result in a distribution of money to their artist, non-recoupable,\u201d the singer shared with her Instagram followers. <\/span><\/p>\n

This means that artists will still receive royalties from streaming even if they are in-debt to record labels. Usually, the artists would not see royalty until they have finished\u00a0paying back the label.<\/span><\/p>\n

Word:\u00a0<\/strong>Earyel\u00a0Bowleg | Subbing: Jake Woods\u00a0<\/strong><\/p>\n

Photo Credit: Jana Beamer\u00a0<\/em><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Alan McGee,\u00a0the former record label owner of Creation Records, commends Taylor Swifts \u201ctremendous\u201d attitude in demanding music ownership and artist royalty payout in her new Universal Music Group contract. In an interview with Voice of…<\/p>\n","protected":false},"author":476,"featured_media":27241,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10,42,92],"tags":[],"class_list":["post-27240","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arts","category-entertainment","category-music"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/posts\/27240","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/users\/476"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/comments?post=27240"}],"version-history":[{"count":0,"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/posts\/27240\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/media\/27241"}],"wp:attachment":[{"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/media?parent=27240"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/categories?post=27240"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/tags?post=27240"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}