{"id":27999,"date":"2018-12-03T21:37:59","date_gmt":"2018-12-03T21:37:59","guid":{"rendered":"http:\/\/thevoiceoflondon.co.uk\/?p=27999"},"modified":"2018-12-03T21:37:59","modified_gmt":"2018-12-03T21:37:59","slug":"kaws-is-here-at-phillips-gallery","status":"publish","type":"post","link":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/kaws-is-here-at-phillips-gallery\/","title":{"rendered":"Kaws is here at Phillips Gallery!"},"content":{"rendered":"<p><strong>Get your dose of culture on this new exhibition at Phillips Gallery in London.<\/strong><\/p>\n<p>New art pieces have arrived in Mayfair, but not for a long time, so don\u2019t miss out. Phillips Gallery opens its doors with\u00a0artist such as Kaws, Yayoi Kusama, Stik, Erro and many others who have shared their special paintings with them and it is going to be put on auction on 5<sup>th<\/sup> of December. Even if some of the names doesn\u2019t immediately sound familiar, chances are high you\u2019d recognize one of artist\u2019s delicately-designed images.<\/p>\n<p>One of the Phillips gallery art\u2019s specialist Yulia Bilibina is sharing with us:<\/p>\n<audio class=\"wp-audio-shortcode\" id=\"audio-27999-1\" preload=\"none\" style=\"width: 100%;\" controls=\"controls\"><source type=\"audio\/mpeg\" src=\"http:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2018\/12\/Phillips-Gallery.mp4_mixdown.mp3?_=1\" \/><a href=\"http:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2018\/12\/Phillips-Gallery.mp4_mixdown.mp3\">http:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2018\/12\/Phillips-Gallery.mp4_mixdown.mp3<\/a><\/audio>\n<p>&nbsp;<\/p>\n<p>This charming exhibition would be something for your social media update, before it goes away and its definitely worth visiting.<\/p>\n<p>A little bit about the pieces: Ichwan Noor \u201cThe Beetle Sphere\u201d car wouldn\u2019t leave you unexcited, so much craftmanship was done from 1953 VW beetle; Peter Halley \u201cSix Prisons\u201d is a colour bomb, signed and dated \u2018Peter Halley Peter Halley 2009\u2019 on the reverse acrylic, fluorescent acrylic and Roll-A-Tex on canvas, in 6 parts; Tomas Saranceno \u201cConnectome\u201d is also one to die up for, this work is number 3 from an edition of 3 plus 1 artist\u2019s proof; Stik \u201cBig Mother\u201d painted on the bricks, in artist\u2019s steel frame; David LaChapelle \u201cAmanda as Marilyn (blue)\u201d made as an portrait of famous American transgender model and many others!<\/p>\n<div id='gallery-1' class='gallery galleryid-27999 gallery-columns-3 gallery-size-thumbnail'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/2018-12-03-21-28-30\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2018\/12\/2018-12-03-21.28.30-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/2018-12-03-21-28-36\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2018\/12\/2018-12-03-21.28.36-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/2018-12-03-21-28-49\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2018\/12\/2018-12-03-21.28.49-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/2018-12-03-21-29-02\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2018\/12\/2018-12-03-21.29.02-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/2018-12-03-21-29-19\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2018\/12\/2018-12-03-21.29.19-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/2018-12-03-21-28-56\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2018\/12\/2018-12-03-21.28.56-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/2018-12-03-21-28-42\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2018\/12\/2018-12-03-21.28.42-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/2018-12-03-21-29-30\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2018\/12\/2018-12-03-21.29.30-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/2018-12-03-21-29-36\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2018\/12\/2018-12-03-21.29.36-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>by Anna Samonova<\/p>\n<p>sub Christian Onions<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Get your dose of culture on this new exhibition at Phillips Gallery in London. New art pieces have arrived in Mayfair, but not for a long time, so don\u2019t miss out. Phillips Gallery opens its&#8230;<\/p>\n","protected":false},"author":476,"featured_media":28000,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10,42],"tags":[],"class_list":["post-27999","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arts","category-entertainment"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/posts\/27999","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/users\/476"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/comments?post=27999"}],"version-history":[{"count":0,"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/posts\/27999\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/media\/28000"}],"wp:attachment":[{"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/media?parent=27999"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/categories?post=27999"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/tags?post=27999"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}