{"id":28341,"date":"2018-12-02T17:30:16","date_gmt":"2018-12-02T17:30:16","guid":{"rendered":"http:\/\/thevoiceoflondon.co.uk\/?p=28341"},"modified":"2018-12-02T17:30:16","modified_gmt":"2018-12-02T17:30:16","slug":"all-the-times-harry-potter-taught-you-something-and-you-didnt-know","status":"publish","type":"post","link":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/all-the-times-harry-potter-taught-you-something-and-you-didnt-know\/","title":{"rendered":"All the times Harry Potter taught you something and you didn&#8217;t know"},"content":{"rendered":"<p><b>The actor Noma Dumezweni, best known for playing grownup Hermione Granger in Harry Potter and the Cursed Child, confessed to the BBC that the character taught her a lot in the last few years.<\/b><\/p>\n<div id=\"attachment_28342\" style=\"width: 233px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-28342\" class=\"size-full wp-image-28342\" src=\"http:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2018\/12\/Noma.jpg\" alt=\"\" width=\"223\" height=\"226\" \/><p id=\"caption-attachment-28342\" class=\"wp-caption-text\">Noma Dumezweni @Wikimedia Commons<\/p><\/div>\n<p>\u201cUntil recently I didn&#8217;t understand what form, energy and shape my anger could take. It felt like it came out broken,\u201d the actor explains.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>\u201cAlthough generally calm and level headed, righteous and empathetic, Hermione knows how to use anger effectively when it&#8217;s needed.\u201d This has helped Noma accept her burdens and realise her boundaries.<\/p>\n<p>\u201cI feel I\u2019ve reached a point in my life where I&#8217;m finally trusting myself to know what my needs and wants are, and if those aren&#8217;t met, I trust the anger I feel. It&#8217;s honest.\u201d<\/p>\n<p>Noma\u2019s acknowledgement of her feelings as an individual on stage has influenced the way she handled the backlash when she was cast as Hermione back in 2016.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>Some Harry Potter fans didn\u2019t easily accept the surprise of a dark-skinned woman playing the usually pale Hermione. This shed light once again on inclusivity, diversity and stereotypes in the arts and entertainment world.<\/p>\n<p>However, J.K.Rowling, author of the famous saga, fiercely supported the choice of the casting on Twitter:<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>https:\/\/twitter.com\/jk_rowling\/status\/678888094339366914<\/p>\n<p>J.K.Rowling has been teaching important lessons about tolerance for decades.<\/p>\n<p>Telling an iconic tale of magic, love, self-sacrifice, leadership, failure and growth, her beloved Harry Potter books have introduced millions of readers to the importance of diversity.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>Three out of the four Quidditch sports teams at Hogwarts School of Witchcraft and Wizardry consist of both genders, there are people of African and Asian heritage throughout the books and Albus Dumbledore, Hogwarts beloved headmaster and Harry Potter\u2019s mentor, has been later revealed to be gay.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>What is most important about the inclusivity argument in the narrative, is the diversity-related conflicts unfolding.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>Lord Voldemort, the most evil wizard ever, takes advantage of the mistreated house-elves, promising them more power if they were to take part in his killings and destruction sprees.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>With the coaching of Albus Dumbledore, Harry Potter learns how to include these outsiders in his life. Through his actions, Harry Potter manages to consolidate a symbolic relationship with magical creatures.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>How many times have we witnessed somebody verbally or physically assault, exclude or mock someone, claiming they deserve it due to their diversity?<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>The list goes on. In Book III and IV, the usually excluded werewolves, goblins, elves and half-giants team up with Harry to defeat Lord Voldemort and his Death Eaters.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>Both sides used diversity to battle each other, but many Hogwartians found ways to include different creatures leading to the discovery of their hidden powers.<\/p>\n<p>Watch the video down below for more examples of inclusion and diversity in Harry Potter:<\/p>\n<p>[youtube https:\/\/www.youtube.com\/watch?v=2-0q1QDpWD0&amp;w=560&amp;h=315]<\/p>\n<p>Being inclusive encourages relationship-building, stereotype breakdowns and discovery of the strengths and skills belonging to others.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>Diversity alone is for Muggles. Inclusion of diversities is the real magic.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>To learn more on the matter, the Voice of London spoke to Manuela Vita, artists assistant at Fantasy Events European conventions.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>Manuela told the Voice of London: \u201cIn general, in the arts and entertainment world we have moved forward. It might be for the political situation or maybe just because the Internet-generation finally has the space to give voice to their experiences and feelings.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>\u201cMillennials hugely influence the social point of view towards minorities and exactly because TV and theatre are amongst the biggest channels of communication, whomever is part of it feels they have the duty ti support the movement.<\/p>\n<p>\u201cFinally, the path is paved and although we still have a long way to go, we almost take for granted that every one part of the entertainment industry accepts and represents minorities and their cultural peculiarities.\u201d<\/p>\n<p>Manuela expressed her disappointment in regards to J.K. Rowling\u2019s response to Noma Dumezweni\u2019s new role.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>\u201cPersonally, I did not like how J.K. Rowling justified the choice, saying she never described Hermione as \u2018white\u2019. It would have been easier to admit that she had included this specific character to highlight once again the diversity in her narrative and to make an almost politically correct choice.<\/p>\n<p>\u201cBut having seen The Cursed Child play over 12 times, I can confirm Noma is definitely a notch above her substitutes and overall, an amazing actress. After all, she has been the best choice for this performance\u201d.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<div id='gallery-1' class='gallery galleryid-28341 gallery-columns-3 gallery-size-thumbnail'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/47575897_2162144457438381_800193986823192576_n\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2018\/12\/47575897_2162144457438381_800193986823192576_n-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-1-28351\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-28351'>\n\t\t\t\tThe Cursed Child theatre decorations in London and New York\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/47510194_290705614899757_4065428455401979904_n\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2018\/12\/47510194_290705614899757_4065428455401979904_n-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/47376649_216804869219740_2567425527065346048_n\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2018\/12\/47376649_216804869219740_2567425527065346048_n-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/47372385_326916428131889_8718237312514785280_n\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2018\/12\/47372385_326916428131889_8718237312514785280_n-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/47324519_602810396817092_8436718643101827072_n\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2018\/12\/47324519_602810396817092_8436718643101827072_n-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/47223793_1206918112779397_3092968205124108288_n\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2018\/12\/47223793_1206918112779397_3092968205124108288_n-1-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" srcset=\"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2018\/12\/47223793_1206918112779397_3092968205124108288_n-1-150x150.png 150w, https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2018\/12\/47223793_1206918112779397_3092968205124108288_n-1-300x297.png 300w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/47223867_566661800454296_7057776696451137536_n\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2018\/12\/47223867_566661800454296_7057776696451137536_n-1-150x150.png\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" srcset=\"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2018\/12\/47223867_566661800454296_7057776696451137536_n-1-150x150.png 150w, https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2018\/12\/47223867_566661800454296_7057776696451137536_n-1-300x300.png 300w, https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2018\/12\/47223867_566661800454296_7057776696451137536_n-1-1024x1021.png 1024w, https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2018\/12\/47223867_566661800454296_7057776696451137536_n-1-768x766.png 768w, https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2018\/12\/47223867_566661800454296_7057776696451137536_n-1.png 1080w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/47226311_370866526816303_37057798168641536_n\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2018\/12\/47226311_370866526816303_37057798168641536_n-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/47305497_476375839555221_1401831407919038464_n\/'><img loading=\"lazy\" decoding=\"async\" width=\"150\" height=\"150\" src=\"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2018\/12\/47305497_476375839555221_1401831407919038464_n-1-150x150.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>Words: Federica Riondino | Subbing: Amelia Richardson<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The actor Noma Dumezweni, best known for playing grownup Hermione Granger in Harry Potter and the Cursed Child, confessed to the BBC that the character taught her a lot in the last few years. \u201cUntil&#8230;<\/p>\n","protected":false},"author":476,"featured_media":28352,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10,42,127],"tags":[553,1882,2128,2857,3126,3246,4516,6179,6753],"class_list":["post-28341","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arts","category-entertainment","category-theatre-arts","tag-art","tag-diversity","tag-entertainment","tag-harry-potter","tag-inclusion","tag-j-k-rowling","tag-noma-dumezweni","tag-the-cursed-child","tag-voice-of-london"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/posts\/28341","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/users\/476"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/comments?post=28341"}],"version-history":[{"count":0,"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/posts\/28341\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/media\/28352"}],"wp:attachment":[{"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/media?parent=28341"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/categories?post=28341"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/tags?post=28341"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}