{"id":28988,"date":"2018-12-10T21:43:00","date_gmt":"2018-12-10T21:43:00","guid":{"rendered":"http:\/\/thevoiceoflondon.co.uk\/?p=28988"},"modified":"2018-12-10T21:43:00","modified_gmt":"2018-12-10T21:43:00","slug":"exploring-plant-music-with-orlando-doom","status":"publish","type":"post","link":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/exploring-plant-music-with-orlando-doom\/","title":{"rendered":"Exploring plant music with Orlando DOOm"},"content":{"rendered":"<div id=\"attachment_28989\" style=\"width: 688px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-28989\" class=\"size-full wp-image-28989\" src=\"http:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2018\/12\/47686088_379231489315591_2199779603587792896_n.jpg\" alt=\"\" width=\"678\" height=\"960\" \/><p id=\"caption-attachment-28989\" class=\"wp-caption-text\">Orlando DOOm logo by Jonty K Mellmann<\/p><\/div>\n<p><strong>It is well known that plants love music and that music stimulates the growing process of plants. But have you ever heard of sounds created with the help of plants? <\/strong><\/p>\n<p>As it is mentioned in the <a href=\"https:\/\/upliftconnect.com\/music-of-the-plants\/\">Upliftconnect<\/a>, \u201cForty years ago researchers at the <a href=\"http:\/\/www.damanhur.org\/?ref=motp\">Damanhur<\/a> Federation of Communities near Turin in Italy started intensive research into plant communication, attempting to prove that plants were sentient beings. They developed a <a href=\"http:\/\/www.musicoftheplants.com\/en\/#aboutus\">device<\/a> out of this research, that can read the electromagnetic vibration of a plant and translate it into music.\u201d<\/p>\n<div id=\"attachment_28999\" style=\"width: 750px\" class=\"wp-caption aligncenter\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-28999\" class=\"size-large wp-image-28999\" src=\"http:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2018\/12\/IMG_1100-1024x627.jpg\" alt=\"\" width=\"740\" height=\"453\" \/><p id=\"caption-attachment-28999\" class=\"wp-caption-text\">Matteo Chiarenza (Orlando DOOm) with Olympia. Picture by Ugne Maladauskaite<\/p><\/div>\n<p>An Italian born and now London based multimedia artist Matteo Chiarenza (<a href=\"https:\/\/soundcloud.com\/orlando_doom666\">Orlando DOOm<\/a>) in the interview with The Voice of London explains how the plant music works. Orlando DOOm uses a plant and a synthesizer as well as a device that uses a MIDI interface and reads the electrical pulses of the plants. The device translates the sound of the pulse (the sound of the plant) to the synthesizer, creating various atmospheric notes.<\/p>\n<p>https:\/\/www.youtube.com\/watch?v=SpunJcdhvGo<\/p>\n<p>Chiarenza adds: \u201cMusic is the Dionysiac representation of life. A complex cluster of tones and frequency which naturally engages with us in a synesthetic relationship. It has always been interesting for me how sound is perceived as aleatory and ethereal when compared to other artistic expressions such as painting which is a more visual type of representation. I think that having the ability to perceive every sound, even the ones that the ear finds less appealing, and analyzing the feel and character through a thoughtful process is not something that anybody could easily do. That&#8217;s why i love it.&#8221;<\/p>\n<div id='gallery-1' class='gallery galleryid-28988 gallery-columns-2 gallery-size-large'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/celeb_filming\/'><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2018\/12\/Celeb_filming-1024x768.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-1-29265\" srcset=\"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2018\/12\/Celeb_filming-1024x768.jpg 1024w, https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2018\/12\/Celeb_filming-300x225.jpg 300w, https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2018\/12\/Celeb_filming-768x576.jpg 768w, https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2018\/12\/Celeb_filming-1536x1152.jpg 1536w, https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2018\/12\/Celeb_filming.jpg 1600w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-29265'>\n\t\t\t\tBarbican Conservatory. Picture by Ugne Maladauskaite\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/img_1114\/'><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"617\" src=\"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2018\/12\/IMG_1114-1-1024x617.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-1-29270\" srcset=\"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2018\/12\/IMG_1114-1-1024x617.jpg 1024w, https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2018\/12\/IMG_1114-1-300x181.jpg 300w, https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2018\/12\/IMG_1114-1-768x462.jpg 768w, https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2018\/12\/IMG_1114-1.jpg 1106w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-29270'>\n\t\t\t\tThe second biggest Conservatory in London. Picture by Ugne Maladauskaite\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/img_1115\/'><img loading=\"lazy\" decoding=\"async\" width=\"654\" height=\"1024\" src=\"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2018\/12\/IMG_1115-e1544480431728-1-654x1024.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-1-29271\" srcset=\"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2018\/12\/IMG_1115-e1544480431728-1-654x1024.jpg 654w, https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2018\/12\/IMG_1115-e1544480431728-1-192x300.jpg 192w, https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2018\/12\/IMG_1115-e1544480431728-1.jpg 666w\" sizes=\"auto, (max-width: 654px) 100vw, 654px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-29271'>\n\t\t\t\tBarbican Conservatory plants. Picture by Ugne Maladauskaite\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/img_1116\/'><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"617\" src=\"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2018\/12\/IMG_1116-1-1024x617.jpg\" class=\"attachment-large size-large\" alt=\"\" aria-describedby=\"gallery-1-29273\" srcset=\"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2018\/12\/IMG_1116-1-1024x617.jpg 1024w, https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2018\/12\/IMG_1116-1-300x181.jpg 300w, https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2018\/12\/IMG_1116-1-768x462.jpg 768w, https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2018\/12\/IMG_1116-1.jpg 1106w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-29273'>\n\t\t\t\tBarbican Conservatory. Picture by Ugne Maladauskaite\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>Worth listening to:<\/p>\n<ul>\n<li>Mort Garson \u2013 <a href=\"https:\/\/www.youtube.com\/watch?v=5ScquRuRIyE\">Plantasia<\/a>: Warm earth music for plants&#8230; and the people who love them.<\/li>\n<li>Orlando DOOm- <a href=\"https:\/\/soundcloud.com\/orlando_doom666\/plnt_hymn3?fbclid=IwAR3IhBDCqCk24FoVh568zcKVUy5kI8e5Az8UvAHiVj6fQRUytH44fY6YvEc\">.plnt\/Hymn.3<\/a> an hour long recording of plant music.<\/li>\n<li>Music for Plants &#8211; <a href=\"https:\/\/www.youtube.com\/watch?v=MjL-g1sTQ0k\">Music Stimulation for PLANT HEALTH<\/a> &#8211; Brainwave Entertainment<\/li>\n<li>Music of the plants- <a href=\"https:\/\/www.youtube.com\/watch?v=4ZX5B_p79V4\">Anthurium improvisation 432Hz<\/a><\/li>\n<\/ul>\n<p>Worth watching:<\/p>\n<ul>\n<li><a href=\"https:\/\/www.youtube.com\/watch?v=CrrSAc-vjG4\">What Plants Talk About<\/a> (Full Documentary)<\/li>\n<li>An interactive sound installation sourced from a plant <a href=\"https:\/\/www.youtube.com\/watch?v=VvWPT4VhKTk\">Plant Sounds<\/a><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p>See also:\u00a0<a href=\"http:\/\/thevoiceoflondon.co.uk\/the-power-of-sounds-gong-baths\/\">The power of sounds: Gong baths <\/a><\/p>\n<p>See also:\u00a0<a href=\"http:\/\/thevoiceoflondon.co.uk\/houseplants-even-you-cant-kill\/\">Houseplants even you can\u2019t kill<\/a><\/p>\n<p>&nbsp;<\/p>\n<p>Featured image: Orlando DOOm by Matteo Chiarenza<\/p>\n<p><strong>Video and words: Ugne Maladauskaite | Subbing: Adam Kaczy\u0144ski<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>It is well known that plants love music and that music stimulates the growing process of plants. But have you ever heard of sounds created with the help of plants? As it is mentioned in&#8230;<\/p>\n","protected":false},"author":476,"featured_media":28993,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10,42,92],"tags":[553,574,2069,2220,3173,4312,4322,5759,5761,5764],"class_list":["post-28988","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arts","category-entertainment","category-music","tag-art","tag-artist","tag-electronic-music","tag-experimental","tag-installation","tag-multimedia","tag-music","tag-sound-art","tag-sound-installation","tag-sounds"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/posts\/28988","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/users\/476"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/comments?post=28988"}],"version-history":[{"count":0,"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/posts\/28988\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/media\/28993"}],"wp:attachment":[{"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/media?parent=28988"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/categories?post=28988"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/tags?post=28988"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}