{"id":29606,"date":"2019-02-08T17:35:20","date_gmt":"2019-02-08T17:35:20","guid":{"rendered":"http:\/\/thevoiceoflondon.co.uk\/?p=29606"},"modified":"2019-02-08T17:35:20","modified_gmt":"2019-02-08T17:35:20","slug":"slam-dunk-festival-2019-reveals-full-jagermeister-stage-bill","status":"publish","type":"post","link":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/slam-dunk-festival-2019-reveals-full-jagermeister-stage-bill\/","title":{"rendered":"Slam Dunk Festival 2019 Reveals Full J\u00e4germeister Stage Bill"},"content":{"rendered":"<p dir=\"ltr\">For years, the\u00a0<strong>Jagermeister Stage<\/strong>\u00a0at Slam Dunk has been an integral part of the festival\u2019s identity and is set to build on this reputation for another year, revealing the full stage line-up, completed by none other than American rock front-runners\u00a0<strong>The Plot In You<\/strong>.<\/p>\n<p dir=\"ltr\">Welcoming UK metal titans\u00a0<strong>Bullet For My Valentine<\/strong>\u00a0to the festival for the very first time, the\u00a0<strong>Jagermeister Stage\u00a0<\/strong>will see metalcore stalwarts\u00a0<strong>Atreyu\u00a0<\/strong>take to the stage ahead of a highly-anticipated performance by\u00a0<strong>Story Of The Year<\/strong>. Emo icons\u00a0<strong>Silverstein<\/strong>, heavy figureheads\u00a0<strong>The Word Alive<\/strong>\u00a0and Floridian metalcore favourites<strong>\u00a0Wage War<\/strong>\u00a0will also be stepping onto the coveted stage following a not-to-be-missed opening performance from<strong>The Plot In You<\/strong>.<\/p>\n<p dir=\"ltr\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-large wp-image-29607\" src=\"http:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2019\/02\/unnamed-2-1024x1024.png\" alt=\"\" width=\"740\" height=\"740\" \/><\/p>\n<p dir=\"ltr\"><u><strong>ACTS ANNOUNCED TO DATE<\/strong><\/u><br \/>\nAll Time Low, Angels Du$t, Anti-Flag, Atreyu, Bad Religion, Bullet For My Valentine, Cancer Bats, Employed To Serve, Gallows, Glassjaw, Hellogoodbye, I Don\u2019t Know How But They Found Me, Knocked Loose, Lagwagon, Less Than Jake, Lights, Mad Caddies, Microwave, Millencolin, Milk Teeth, New Found Glory, NOFX, Our Hollow Our Home, Pagan, Plain White T\u2019s, Real Friends, Saves The Day, Seaway, Silverstein, Simple Plan, Story Of The Year, The Bombpops, The Bronx, The Get Up Kids, The Interrupters, The Menzingers, The Plot In You, The Word Alive, Tigers Jaw, Tiny Moving Parts, Touche Amore, Trophy Eyes, Turnstile, Wage War, Wallflower, Waterparks, WSTR.<\/p>\n<p><u><strong>TICKET INFORMATION<\/strong><\/u><br \/>\nTickets on sale now and are available from\u00a0<a href=\"https:\/\/zeitgeist.us16.list-manage.com\/track\/click?u=c53586006376ffa2e80ceaaf0&amp;id=c064c2ec27&amp;e=efe002d4e6\" target=\"_blank\" rel=\"noopener\">http:\/\/slamdunkfestival.com\/<\/a><br \/>\nTicket Price \u00a359. All subject to booking fees.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>For years, the\u00a0Jagermeister Stage\u00a0at Slam Dunk has been an integral part of the festival\u2019s identity and is set to build on this reputation for another year, revealing the full stage line-up, completed by none other&#8230;<\/p>\n","protected":false},"author":476,"featured_media":29607,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[92],"tags":[],"class_list":["post-29606","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/posts\/29606","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/users\/476"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/comments?post=29606"}],"version-history":[{"count":0,"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/posts\/29606\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/media\/29607"}],"wp:attachment":[{"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/media?parent=29606"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/categories?post=29606"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/tags?post=29606"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}