{"id":32534,"date":"2019-11-11T19:56:41","date_gmt":"2019-11-11T19:56:41","guid":{"rendered":"http:\/\/thevoiceoflondon.co.uk\/?p=32534"},"modified":"2019-11-11T19:56:41","modified_gmt":"2019-11-11T19:56:41","slug":"whispering-pines-shana-moultons-exhibition-on-modern-day-anxiety","status":"publish","type":"post","link":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/whispering-pines-shana-moultons-exhibition-on-modern-day-anxiety\/","title":{"rendered":"Whispering Pines: Shana Moulton\u2019s exhibition on mental health"},"content":{"rendered":"<p><span style=\"font-weight: 400\">Shana Moulton is an American-based artist who uses performance, video and opera within her work to channel contemporary anxieties through her alter-ego \u2018Cynthia\u2019.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Currently, one of society\u2019s biggest conversations surrounds mental health and how each demographic is affected. Many people are dealing with anxiety every day and new waves of our culture\u2019s obsession with self-improvement and wellness have taken over.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Moulton\u2019s alter-ego \u2018Cynthia\u2019 has been consumed by all these self-help treatments. She\u2019s tried self-help books, sugar-free drinks, complicated skin care routines, Pilates and long bubble baths.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">\u2018Cynthia\u2019 is only concerned with spirituality and meaning &#8211; looking for something to guide her as she goes through life. This is interesting as Moulton\u2019s work is being shown in a London chapel, a former Methodist space which is home to the Zabludowicz Collection.\u00a0<\/span><\/p>\n<p>https:\/\/www.instagram.com\/p\/B2omWOJnddc\/?utm_source=ig_web_copy_link<\/p>\n<p><span style=\"font-weight: 400\">Moulton\u2019s <\/span><i><span style=\"font-weight: 400\">Whispering Pines <\/span><\/i><span style=\"font-weight: 400\">collection has spanned over 17 years. In the new instalment, Cynthia is trapped in a six-metre pink tower and demonstrates with different videos and sounds, bold new steps towards self-actualisation. Next to the tower is a gentle digital waterfall you can dip your toes in. At the top of the waterfall are two eyes which also act as clocks. Eyes are a central concept in this exhibition \u2013 they are watching your every move.\u00a0<\/span><\/p>\n<p>https:\/\/www.instagram.com\/p\/B4JK2-bn1Ac\/?utm_source=ig_web_copy_link<\/p>\n<p><span style=\"font-weight: 400\">Within the gallery\u2019s three spaces, the sound of trickling water and soft opera music fills the rooms. Cynthia is testing different wellness methods. She spins on a traction table, endlessly Googles\u00a0answers to life\u2019s big questions and locks herself in a sauna tent. The result is she is still trapped \u2013 no matter what she tries, she is still not free of the pressures of every-day life. She claws for a solution.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">Another room is filled with knickknacks which are considered weapons to fight anxiety such as a mini water feature, LED alien faces and crystals. Moulton has created \u2018Cynthia\u2019 &#8211; a shapeshifting character &#8211; to express her fears about the world, and then mocks them.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">Moulton\u2019s work doesn\u2019t deliberately mock the mental health and mindfulness organisations, or the people who desperately struggle with crippling mental health, but the exhibition does take a more light-hearted approach.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">As someone who deals with these issues herself, she understands the magnitude of the situation and understands the anxiety of a mundane life. By creating this twinkling wonderland about modern anxiety it\u2019s giving us what we want: an escape, a perspective and some necessary distance from all of life\u2019s everyday troubles.<\/span><\/p>\n<p><span style=\"font-weight: 400\">The exhibition is weird and wacky to say the least, but it\u2019s uncomfortably relatable. This immersive wonderland is worth a visit.\u00a0<\/span><\/p>\n<p><strong>Shana Moulton\u2019s exhibition is running until Sunday, December 15th, 2019 at the Zabludowicz Collection.\u00a0<\/strong><\/p>\n<p><span style=\"font-weight: 400\"><strong>Entry is free.<\/strong>\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\"><strong>Address:<\/strong>\u00a0<\/span><span style=\"font-weight: 400\">176 Prince of Wales Rd,\u00a0<\/span><span style=\"font-weight: 400\">London\u00a0<\/span><span style=\"font-weight: 400\">NW5 3PT<\/span><\/p>\n<p><span style=\"font-weight: 400\"><strong>Closest tube station:<\/strong> Chalk Farm<\/span><\/p>\n<div id='gallery-1' class='gallery galleryid-32534 gallery-columns-3 gallery-size-full'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/personal-steam-interface-photo_-jessica-pennell\/'><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"1600\" src=\"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2019\/11\/22Personal-steam-interface22-Photo_-Jessica-Pennell-1.jpg\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-1-32536\" srcset=\"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2019\/11\/22Personal-steam-interface22-Photo_-Jessica-Pennell-1.jpg 1200w, https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2019\/11\/22Personal-steam-interface22-Photo_-Jessica-Pennell-1-225x300.jpg 225w, https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2019\/11\/22Personal-steam-interface22-Photo_-Jessica-Pennell-1-768x1024.jpg 768w, https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2019\/11\/22Personal-steam-interface22-Photo_-Jessica-Pennell-1-1152x1536.jpg 1152w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-32536'>\n\t\t\t\t&#8220;Personal steam interface&#8221; \/ Source: Jess Pennell\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/close-up-of-personal-steam-interface-photo_-jessica-pennell\/'><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"1600\" src=\"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2019\/11\/Close-up-of-22Personal-steam-interface.22-Photo_-Jessica-Pennell-1.jpg\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-1-32537\" srcset=\"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2019\/11\/Close-up-of-22Personal-steam-interface.22-Photo_-Jessica-Pennell-1.jpg 1200w, https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2019\/11\/Close-up-of-22Personal-steam-interface.22-Photo_-Jessica-Pennell-1-225x300.jpg 225w, https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2019\/11\/Close-up-of-22Personal-steam-interface.22-Photo_-Jessica-Pennell-1-768x1024.jpg 768w, https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2019\/11\/Close-up-of-22Personal-steam-interface.22-Photo_-Jessica-Pennell-1-1152x1536.jpg 1152w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-32537'>\n\t\t\t\t&#8220;Personal steam interface&#8221; \/ Source: Jess Pennell\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/shana-moultons-the-pink-tower-phpto_-jessica-pennell\/'><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"2560\" src=\"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2019\/11\/Shana-Moultons-22The-Pink-Tower.22-Phpto_-Jessica-Pennell-e1573501837653-1-scaled.jpg\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-1-32538\" srcset=\"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2019\/11\/Shana-Moultons-22The-Pink-Tower.22-Phpto_-Jessica-Pennell-e1573501837653-1-scaled.jpg 1920w, https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2019\/11\/Shana-Moultons-22The-Pink-Tower.22-Phpto_-Jessica-Pennell-e1573501837653-1-225x300.jpg 225w, https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2019\/11\/Shana-Moultons-22The-Pink-Tower.22-Phpto_-Jessica-Pennell-e1573501837653-1-768x1024.jpg 768w, https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2019\/11\/Shana-Moultons-22The-Pink-Tower.22-Phpto_-Jessica-Pennell-e1573501837653-1-1152x1536.jpg 1152w, https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2019\/11\/Shana-Moultons-22The-Pink-Tower.22-Phpto_-Jessica-Pennell-e1573501837653-1-1536x2048.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-32538'>\n\t\t\t\t&#8220;The Pink Tower&#8221; \/ Source: Jess Pennell\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/shana-moultons-inversion-therapy-photo_-jessica-pennell\/'><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"1600\" src=\"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2019\/11\/Shana-Moultons-Inversion-Therapy-Photo_-Jessica-Pennell-1-1.jpg\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-1-32539\" srcset=\"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2019\/11\/Shana-Moultons-Inversion-Therapy-Photo_-Jessica-Pennell-1-1.jpg 1200w, https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2019\/11\/Shana-Moultons-Inversion-Therapy-Photo_-Jessica-Pennell-1-1-225x300.jpg 225w, https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2019\/11\/Shana-Moultons-Inversion-Therapy-Photo_-Jessica-Pennell-1-1-768x1024.jpg 768w, https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2019\/11\/Shana-Moultons-Inversion-Therapy-Photo_-Jessica-Pennell-1-1-1152x1536.jpg 1152w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-32539'>\n\t\t\t\t&#8220;Inversion Therapy&#8221; \/ Source: Jess Pennell \n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/shana-moultons-personal-steam-interface-photo_-jessica-pennelljpg\/'><img loading=\"lazy\" decoding=\"async\" width=\"1200\" height=\"1600\" src=\"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2019\/11\/Shana-Moultons-Personal-Steam-Interface.-Photo_-Jessica-PennellJPG-1.jpg\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-1-32540\" srcset=\"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2019\/11\/Shana-Moultons-Personal-Steam-Interface.-Photo_-Jessica-PennellJPG-1.jpg 1200w, https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2019\/11\/Shana-Moultons-Personal-Steam-Interface.-Photo_-Jessica-PennellJPG-1-225x300.jpg 225w, https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2019\/11\/Shana-Moultons-Personal-Steam-Interface.-Photo_-Jessica-PennellJPG-1-768x1024.jpg 768w, https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2019\/11\/Shana-Moultons-Personal-Steam-Interface.-Photo_-Jessica-PennellJPG-1-1152x1536.jpg 1152w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-32540'>\n\t\t\t\t&#8220;Personal steam interface&#8221; \/ Source: Jess Pennell\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/shana-moultons-the-waterfall-of-grief-photo_-jessica-pennelljpg\/'><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"2560\" src=\"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2019\/11\/Shana-Moultons-The-Waterfall-of-Grief.-Photo_-Jessica-PennellJPG-e1573501938962-1-scaled.jpg\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-1-32541\" srcset=\"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2019\/11\/Shana-Moultons-The-Waterfall-of-Grief.-Photo_-Jessica-PennellJPG-e1573501938962-1-scaled.jpg 1920w, https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2019\/11\/Shana-Moultons-The-Waterfall-of-Grief.-Photo_-Jessica-PennellJPG-e1573501938962-1-225x300.jpg 225w, https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2019\/11\/Shana-Moultons-The-Waterfall-of-Grief.-Photo_-Jessica-PennellJPG-e1573501938962-1-768x1024.jpg 768w, https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2019\/11\/Shana-Moultons-The-Waterfall-of-Grief.-Photo_-Jessica-PennellJPG-e1573501938962-1-1152x1536.jpg 1152w, https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2019\/11\/Shana-Moultons-The-Waterfall-of-Grief.-Photo_-Jessica-PennellJPG-e1573501938962-1-1536x2048.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-32541'>\n\t\t\t\t&#8220;The Waterfall of Grief&#8221; \/ Source: Jess Pennell\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/shana-moultons-whispering-pines-photo_-jessica-pennell\/'><img loading=\"lazy\" decoding=\"async\" width=\"1600\" height=\"1065\" src=\"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2019\/11\/Shana-Moultons-22Whispering-Pines.22-Photo_-Jessica-Pennell-1.jpg\" class=\"attachment-full size-full\" alt=\"\" aria-describedby=\"gallery-1-32542\" srcset=\"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2019\/11\/Shana-Moultons-22Whispering-Pines.22-Photo_-Jessica-Pennell-1.jpg 1600w, https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2019\/11\/Shana-Moultons-22Whispering-Pines.22-Photo_-Jessica-Pennell-1-300x200.jpg 300w, https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2019\/11\/Shana-Moultons-22Whispering-Pines.22-Photo_-Jessica-Pennell-1-1024x682.jpg 1024w, https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2019\/11\/Shana-Moultons-22Whispering-Pines.22-Photo_-Jessica-Pennell-1-768x511.jpg 768w, https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2019\/11\/Shana-Moultons-22Whispering-Pines.22-Photo_-Jessica-Pennell-1-1536x1022.jpg 1536w\" sizes=\"auto, (max-width: 1600px) 100vw, 1600px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-32542'>\n\t\t\t\t&#8220;Whispering Pines&#8221; \/ Source: Jess Pennell \n\t\t\t\t<\/dd><\/dl>\n\t\t\t<br style='clear: both' \/>\n\t\t<\/div>\n\n<p>Words: Jessica Pennell<\/p>\n<p>Photos: Jessica Pennell<\/p>\n<p>Sources:<\/p>\n<p>Instagram<\/p>\n<p>Zabludowicz website<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Shana Moulton is an American-based artist who uses performance, video and opera within her work to channel contemporary anxieties through her alter-ego \u2018Cynthia\u2019. Currently, one of society\u2019s biggest conversations surrounds mental health and how each&#8230;<\/p>\n","protected":false},"author":476,"featured_media":32535,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10,42,46],"tags":[523,553,1645,1798,2128,2211,3769,4098,5580,6538,6753],"class_list":["post-32534","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arts","category-entertainment","category-exhibition","tag-anxiety","tag-art","tag-culture","tag-depression","tag-entertainment","tag-exhibition","tag-london","tag-mental-health","tag-shana-moulton","tag-uk","tag-voice-of-london"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/posts\/32534","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/users\/476"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/comments?post=32534"}],"version-history":[{"count":0,"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/posts\/32534\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/media\/32535"}],"wp:attachment":[{"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/media?parent=32534"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/categories?post=32534"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/tags?post=32534"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}