{"id":33982,"date":"2019-11-24T21:00:47","date_gmt":"2019-11-24T21:00:47","guid":{"rendered":"http:\/\/thevoiceoflondon.co.uk\/?p=33982"},"modified":"2019-11-24T21:00:47","modified_gmt":"2019-11-24T21:00:47","slug":"there-is-hope-in-a-sustainable-future","status":"publish","type":"post","link":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/there-is-hope-in-a-sustainable-future\/","title":{"rendered":"There is Hope in a sustainable future"},"content":{"rendered":"<p><span style=\"font-weight: 400\">The Victoria and Albert museum in South Kensington, London is hosting a free-entry photography exhibition called \u201cHope\u201d until 8<\/span><span style=\"font-weight: 400\">th<\/span><span style=\"font-weight: 400\"> December 2019. It is showing at the Porter gallery which is located on the left hand side of the museum\u2019s main entrance.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">This curated exhibition presents artworks from 12 shortlisted photographers of the Prix Pictet, which is the world\u2019s leading award for photography and sustainability. The Prix Pictet has ran seven cycles since 2008 and each cycle has explored various themes such as Water, Earth, Growth, Power, Consumption, Disorder and Space. All of these themes are related to the concept of sustainability.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">This year\u2019s exhibition celebrates the Prix Pictet\u2019s eighth cycle and of which, \u201cHope\u201d was set as the leading theme. It touches on subjects like <a href=\"https:\/\/www.prixpictet.com\/\">\u201c<\/a><\/span><span style=\"font-weight: 400\"><a href=\"https:\/\/www.prixpictet.com\/\">recycling, reforestation and rewilding<\/a>\u201d<\/span><span style=\"font-weight: 400\"> and shines lights on the positive changes that are starting to be made on sustainability. This exhibition resonates the V&amp;A\u2019s action on sustainability as recently, they have eliminated the sale of plastic bags and are urging the use of paper bags and tote bags to promote sustainability in their shops.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">The Eighth Prix Pictet was awarded to Ivorian photographer, Joana Choumali, for her series \u201cCa va aller\u201d (it will be ok).\u00a0 Her winning series highlights the <\/span><span style=\"font-weight: 400\">\u201c<a href=\"https:\/\/www.prixpictet.com\/\">trauma and mental health<\/a>\u201d<\/span><span style=\"font-weight: 400\"> of the Ivorian people after the terrorist attacks at Grand Bassam, which resulted in 18 fatalities, in 2016. Some of her artwork is shown below:<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-33983\" src=\"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2019\/11\/IMG_7258-1.jpg\" alt=\"\" width=\"3264\" height=\"2448\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400\">The 12 photographers are Shahidul Alam, Joana Choumali, Margaret Courtney-Clarke, Rena Effendi, Lucas Foglia, Janelle Lynch, Ross McDonnell, Gideon Mandel, Ivor Prickett, Robin Rhode, Awoiska van der Molen, and Alexia Webster. Some of their artworks are shown below:<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-33985\" src=\"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2019\/11\/IMG_7256-1.jpg\" alt=\"\" width=\"3264\" height=\"2448\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center\"><span style=\"font-weight: 400\"><em>Another Way of Looking at Love,2015-18<\/em> by Janelle Lynch <\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-33986\" src=\"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2019\/11\/IMG_7302-1.jpg\" alt=\"\" width=\"3264\" height=\"2448\" \/><\/p>\n<p style=\"text-align: center\"><span style=\"font-weight: 400\"><em>Street Studios,2011-18<\/em> by Alexia Webster<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-33987\" src=\"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2019\/11\/IMG_7299-1.jpg\" alt=\"\" width=\"3264\" height=\"2448\" \/><\/p>\n<p style=\"text-align: center\"><span style=\"font-weight: 400\"><em>Transylvania: Built on Grass, 2012<\/em> by Rena Effendi<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-33988\" src=\"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2019\/11\/IMG_7269-1.jpg\" alt=\"\" width=\"3264\" height=\"2448\" \/><\/p>\n<p style=\"text-align: center\"><span style=\"font-weight: 400\"><em>Limbs, 2012<\/em> by Ross McDonnell<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-33989\" src=\"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2019\/11\/IMG_7260-1.jpg\" alt=\"\" width=\"3264\" height=\"2448\" \/><\/p>\n<p style=\"text-align: center\"><span style=\"font-weight: 400\"><em>Human Nature, 2006-19<\/em>\u00a0by Lucas Foglia<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-33990\" src=\"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2019\/11\/IMG_7254-1.jpg\" alt=\"\" width=\"3264\" height=\"2448\" \/><\/p>\n<p style=\"text-align: center\"><span style=\"font-weight: 400\"><em>Damage: A Testament of Faded Memory, 2016<\/em> by Gideon Mendel<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-33991\" src=\"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2019\/11\/IMG_7264-1.jpg\" alt=\"\" width=\"3264\" height=\"2448\" \/><\/p>\n<p style=\"text-align: center\"><span style=\"font-weight: 400\"><em>Still She Smiles, 2014<\/em> by Shahidul Alam<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-33996\" src=\"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2019\/11\/IMG_7267-1.jpg\" alt=\"\" width=\"3264\" height=\"2448\" \/><\/p>\n<p style=\"text-align: center\"><span style=\"font-weight: 400\"><em>Am schwarzen Himmelsrund (&#8216;In the black heavens&#8217;), 2010-18<\/em> by Awoiska van der Molen<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignright size-full wp-image-33998\" src=\"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2019\/11\/IMG_7278-1.jpg\" alt=\"\" width=\"3264\" height=\"2448\" \/><\/p>\n<p style=\"text-align: center\"><span style=\"font-weight: 400\"><em>Principle of Hope, 2017<\/em> by Robin Rhode<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400\">The VOL team interviewed a few people on their thoughts of the exhibition.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">Josep Soldevila, a V&amp;A shop assistant said, \u201cI think that they can actually bring awareness to problems through art. And you could also see how places can change by humans &#8230; like erosion and human plantation. It makes you think about what we do to the world. We are terrible &#8211; us, humans.\u201d<\/span><\/p>\n<p><span style=\"font-weight: 400\">Nicole Hill, 21-year-old university student said, \u201cThe images were amazing. I especially loved that one photographer who did that embroidery\u2026\u00a0 I liked that the photographers were from all around the world taking photos from loads of different perspectives.\u201d\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400\">The V&amp;A is hosting the first showing of this exhibition. After it ends, it will be presented in various galleries and museums across the world. If you\u2019re interested in this exhibition, visit the<a href=\"https:\/\/www.vam.ac.uk\/\"> V&amp;A website<\/a> for more information regarding opening times of the gallery and the museum.\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400\">If you like this article and would like to continue reading more on sustainability, check out:<\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><span style=\"font-weight: 400\"><a href=\"http:\/\/thevoiceoflondon.co.uk\/tis-the-season-to-be-sustainable\/\">Tis\u2019 the season to be sustainable<\/a>\u00a0<\/span><\/li>\n<li style=\"font-weight: 400\"><a href=\"http:\/\/thevoiceoflondon.co.uk\/no-your-thrift-shopping-is-not-sustainable\/\"><span style=\"font-weight: 400\">No \u2013 Thrift shopping is not sustainable\u00a0<\/span><\/a><\/li>\n<\/ul>\n<p><span style=\"font-weight: 400\">Have a listen to our podcast on sustainability:<\/span><\/p>\n<ul>\n<li style=\"font-weight: 400\"><a href=\"http:\/\/thevoiceoflondon.co.uk\/the-charity-shops-that-reinforce-a-sustainable-lifestyle\/\"><span style=\"font-weight: 400\">The charity shops that reinforce a sustainable lifestyle\u00a0<\/span><\/a><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400\">Words and photographs: Abigail Obina\u00a0<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Victoria and Albert museum in South Kensington, London is hosting a free-entry photography exhibition called \u201cHope\u201d until 8th December 2019. It is showing at the Porter gallery which is located on the left hand&#8230;<\/p>\n","protected":false},"author":476,"featured_media":33997,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[553,4867,4868,6027],"class_list":["post-33982","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-arts","tag-art","tag-photography","tag-photography-exhibition","tag-sustainable"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/posts\/33982","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/users\/476"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/comments?post=33982"}],"version-history":[{"count":0,"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/posts\/33982\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/media\/33997"}],"wp:attachment":[{"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/media?parent=33982"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/categories?post=33982"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/tags?post=33982"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}