{"id":42088,"date":"2020-12-03T19:41:43","date_gmt":"2020-12-03T19:41:43","guid":{"rendered":"http:\/\/thevoiceoflondon.co.uk\/?p=42088"},"modified":"2020-12-03T19:41:43","modified_gmt":"2020-12-03T19:41:43","slug":"from-corsets-to-tuxedos-the-evolution-of-androgynous-fashion","status":"publish","type":"post","link":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/from-corsets-to-tuxedos-the-evolution-of-androgynous-fashion\/","title":{"rendered":"From corsets to tuxedo&#8217;s: the evolution of androgynous fashion"},"content":{"rendered":"<p><strong>Social media was once again embroiled in a war of cultures. The topic: gendered dressing. <\/strong><\/p>\n<p>US Vogue sparked passionate debates around masculinity and gendered dressing when they featured Harry Styles on the latest cover donning a periwinkle blue gown paired with black tuxedo jacket, both designed by Gucci.<\/p>\n<p>For millennial and Gen Z readers the image felt representative of a growing exploration of gender-fluidity and non-binary dressing taking place.<\/p>\n<p>However, prominent conservatives voiced their disapproval. \u201cBring back manly men\u201d, said Candace Owens on Twitter.<\/p>\n<p>In recent years genderless designs in fashion has hit display windows- blurring the lines between gender norms.<\/p>\n<p>It is a style that is becoming accepted in fashion and also a sign of where our society is heading.<\/p>\n<p>Pushing this societal shift forward is the open-mindedness that encourages gender fluidity. But this is not the first time the boundaries of gendered dressing has been pushed.<\/p>\n<p>Androgynous fashion can be seen throughout the 20<sup>th<\/sup> century and has continued to evolve since.<\/p>\n<p>Arguably, this aesthetic stems from the desire to not want to be defined by gender but there are also other political threads that tie in neatly with androgynous expression.<\/p>\n<p>&nbsp;<\/p>\n<ol>\n<li>\n<h3><strong>1910s: CoCo Chanel introduces pants to womenswear<\/strong><\/h3>\n<\/li>\n<\/ol>\n<p>At a time when women were oppressed when it came to fashion, CoCo Chanel personified the independent roles women were yet to enter by giving them the gift of pants.<\/p>\n<p>While Chanel is known more for her little black dresses, she challenged gender norms with her masculine-like silhouette fashion but refused to call herself a feminist.<\/p>\n<p>Though Chanel would never be caught front row at a protests for women\u2019s rights, she defended the idea that a person should express themselves based on how they feel, and not how their gender tells them to feel.<\/p>\n<p>Her comments on gender are just one of the many Chanel made on femininity rather than feminism, meanwhile her work was a huge part of the liberation of women.<\/p>\n<p>As Business Insider reported, Chanel herself said: &#8220;I gave women a sense of freedom. I\u00a0gave them back their bodies: Bodies that were drenched in sweat, due to fashion\u2019s finery, lace, corsets, underclothes, padding.\u201d<\/p>\n<p>She was constantly inspired by men\u2019s fashion, and it began with how she dressed herself. Shirts with clean collars, simple sweaters and loose belted jackets were a part of her language of fashion.<\/p>\n<div id='gallery-1' class='gallery galleryid-42088 gallery-columns-3 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/from-corsets-to-tuxedos-the-evolution-of-androgynous-fashion\/marlene-dietrich\/'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"225\" src=\"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2020\/12\/marlene-dietrich-1-300x225.jpg\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-1-42126\" srcset=\"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2020\/12\/marlene-dietrich-1-300x225.jpg 300w, https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2020\/12\/marlene-dietrich-1.jpg 500w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-42126'>\n\t\t\t\t&#8220;Marlene Dietrich in Seven Sinners (1940) #3&#8221; by Classic_Movie_Gals is licensed under CC BY 2.0\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/from-corsets-to-tuxedos-the-evolution-of-androgynous-fashion\/marlene-dietrich-2\/'><img loading=\"lazy\" decoding=\"async\" width=\"251\" height=\"300\" src=\"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2020\/12\/marlene-dietrich-2-1-251x300.jpg\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-1-42127\" srcset=\"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2020\/12\/marlene-dietrich-2-1-251x300.jpg 251w, https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2020\/12\/marlene-dietrich-2-1-768x916.jpg 768w, https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2020\/12\/marlene-dietrich-2-1.jpg 818w\" sizes=\"auto, (max-width: 251px) 100vw, 251px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-42127'>\n\t\t\t\t&#8220;Marlene Dietrich&#8221; Photo by: ADiamondFellFromTheSky | CreativeCommons\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/from-corsets-to-tuxedos-the-evolution-of-androgynous-fashion\/katherine-hepburn\/'><img loading=\"lazy\" decoding=\"async\" width=\"237\" height=\"300\" src=\"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2020\/12\/katherine-hepburn-1-1-237x300.jpg\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-1-42128\" srcset=\"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2020\/12\/katherine-hepburn-1-1-237x300.jpg 237w, https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2020\/12\/katherine-hepburn-1-1.jpg 379w\" sizes=\"auto, (max-width: 237px) 100vw, 237px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-42128'>\n\t\t\t\t&#8220;Katherine Hepburn&#8221; by La Butaca Dorada is licensed under CC BY 2.0\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/from-corsets-to-tuxedos-the-evolution-of-androgynous-fashion\/katherine-hepurn-knitting\/'><img loading=\"lazy\" decoding=\"async\" width=\"199\" height=\"300\" src=\"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2020\/12\/katherine-hepurn-knitting-1-199x300.png\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-1-42129\" srcset=\"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2020\/12\/katherine-hepurn-knitting-1-199x300.png 199w, https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2020\/12\/katherine-hepurn-knitting-1-680x1024.png 680w, https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2020\/12\/katherine-hepurn-knitting-1-768x1156.png 768w, https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2020\/12\/katherine-hepurn-knitting-1.png 930w\" sizes=\"auto, (max-width: 199px) 100vw, 199px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-1-42129'>\n\t\t\t\t&#8220;Katherine Hepburn knitting&#8221; by madelinetosh is licensed under CC BY-NC-ND 2.0\n\t\t\t\t<\/dd><\/dl>\n\t\t\t<br style='clear: both' \/>\n\t\t<\/div>\n\n<ol start=\"2\">\n<li>\n<h3><strong>1930s<\/strong><\/h3>\n<\/li>\n<\/ol>\n<p>CoCo Chanel\u2019s androgynous aesthetic crossed over into Hollywood glamour as she has a star-studded clientele which included Marlene Dietrich, who in her own right is regarded as an icon for challenging the ideas that kept women in skirts and dresses.<\/p>\n<p>Katherine Hepburn did the same, bringing androgynous fashion to the forefront of an audience who was fiercely resistant to the idea.<\/p>\n<p>In the 1930s only farmers and movie cowboys wore jeans, so both Hepburn and Dietrich stood out even more for their flippant attitudes towards femininity.<\/p>\n<p>In the words of Marlene Dietrich: \u201cI dress for the image, not for myself, not for the public, not for fashion, not for men\u201d \u2013 whatever Dietrich\u2019s true feelings was she made a political statement that revolutionised women\u2019s fashion whilst donning three-piece suits.<\/p>\n<div id='gallery-2' class='gallery galleryid-42088 gallery-columns-3 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/from-corsets-to-tuxedos-the-evolution-of-androgynous-fashion\/annie-spratt-yuzswql7ijm-unsplash\/'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"208\" src=\"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2020\/12\/annie-spratt-YuZSwqL7IJM-unsplash-1-300x208.jpg\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-2-42131\" srcset=\"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2020\/12\/annie-spratt-YuZSwqL7IJM-unsplash-1-300x208.jpg 300w, https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2020\/12\/annie-spratt-YuZSwqL7IJM-unsplash-1-1024x712.jpg 1024w, https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2020\/12\/annie-spratt-YuZSwqL7IJM-unsplash-1-768x534.jpg 768w, https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2020\/12\/annie-spratt-YuZSwqL7IJM-unsplash-1-1536x1067.jpg 1536w, https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2020\/12\/annie-spratt-YuZSwqL7IJM-unsplash-1-2048x1423.jpg 2048w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-42131'>\n\t\t\t\tSource: Unsplash\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/from-corsets-to-tuxedos-the-evolution-of-androgynous-fashion\/mick-jagger-x-jimmy-hendric\/'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"211\" src=\"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2020\/12\/mick-jagger-x-jimmy-hendric-1-300x211.jpg\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-2-42132\" srcset=\"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2020\/12\/mick-jagger-x-jimmy-hendric-1-300x211.jpg 300w, https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2020\/12\/mick-jagger-x-jimmy-hendric-1-768x541.jpg 768w, https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2020\/12\/mick-jagger-x-jimmy-hendric-1.jpg 1024w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-42132'>\n\t\t\t\t&#8220;Mick Jagger and Jimmy Hendricks&#8221; Photo by: Ted Van Pelt | CreativeCommons\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/from-corsets-to-tuxedos-the-evolution-of-androgynous-fashion\/david-bowie\/'><img loading=\"lazy\" decoding=\"async\" width=\"251\" height=\"300\" src=\"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2020\/12\/david-bowie-1-251x300.jpg\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-2-42133\" srcset=\"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2020\/12\/david-bowie-1-251x300.jpg 251w, https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2020\/12\/david-bowie-1-768x919.jpg 768w, https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2020\/12\/david-bowie-1.jpg 856w\" sizes=\"auto, (max-width: 251px) 100vw, 251px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-42133'>\n\t\t\t\t&#8220;David Bowie would have been 73 today. Japanese iconoclast Kansai Yamamoto created this costume for Bowie\u2019s \u201873 Aladdin Sane tour&#8221; by Ronald Douglas Frazier is licensed under CC BY 2.0\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<ol start=\"3\">\n<li>\n<h3><strong>1960s<\/strong><\/h3>\n<\/li>\n<\/ol>\n<p>The decade before the 60s was largely characterised by suburban motherhood and career housewives, yet women continued to be trailblazers in unisex fashion.<\/p>\n<p>According to\u00a0<em>The Guardian<\/em>, Dr. Jo Paoletti&#8217;s\u00a0<em>Sex And Unisex: Fashion, Feminism, And The Sexual Revolution<\/em><em>\u00a0<\/em>claims that the unisex trend was a pillar of second-wave feminism and &#8220;was a baby-boomer corrective to the\u00a0rigid gender stereotyping\u00a0of the 1950s, itself a reaction to the perplexing new roles imposed on men and women alike by World War II.&#8221;<\/p>\n<p>Yves Saint Laurent took androgynous fashion a step further by introducing the first tuxedo for women, a style that perfectly underlined the more masculine sense of style women were embracing.<\/p>\n<p>YSL&#8217;s muse Violeta Sanchez explained to the BBC that, at that time, it &#8220;was quite something for the stuffy bourgeois set to see women &#8216;take\u00a0possession of man\u2019s attire, and the freedom it gave her. It took her out of that spot where she was fragile.'&#8221;<\/p>\n<p>In the latter half of the decade men joined the conversation. From Jimmy Hendrix in his paisley coats and velvet flares, to Mick Jagger wearing hip-skimming jeans, to poets\u2019 blouses, men were just as curious to see what they could find outside of their gendered expectations.<\/p>\n<p>Up until this point androgyny was focused on women testing the boundaries of gendered stereotypes, but it was men\u2019s turn to shake the table.<\/p>\n<div id='gallery-3' class='gallery galleryid-42088 gallery-columns-3 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/from-corsets-to-tuxedos-the-evolution-of-androgynous-fashion\/grace-jones-nightclubbing\/'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"251\" src=\"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2020\/12\/grace-jones-nightclubbing-1-300x251.jpg\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-3-42140\" srcset=\"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2020\/12\/grace-jones-nightclubbing-1-300x251.jpg 300w, https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2020\/12\/grace-jones-nightclubbing-1-768x644.jpg 768w, https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2020\/12\/grace-jones-nightclubbing-1.jpg 1024w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-3-42140'>\n\t\t\t\t&#8220;GRACE JONES &#8211; Nightclubbing&#8221; by vinylmeister is licensed under CC BY-NC 2.0\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/from-corsets-to-tuxedos-the-evolution-of-androgynous-fashion\/grace-jones-2\/'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"248\" src=\"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2020\/12\/grace-jones-2-1-300x248.jpg\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-3-42141\" srcset=\"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2020\/12\/grace-jones-2-1-300x248.jpg 300w, https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2020\/12\/grace-jones-2-1-768x635.jpg 768w, https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2020\/12\/grace-jones-2-1.jpg 1024w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-3-42141'>\n\t\t\t\t&#8220;GRACE JONES &#8211; Photo by: vinylmeister | CreativeCommons\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/from-corsets-to-tuxedos-the-evolution-of-androgynous-fashion\/grace-jones\/'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2020\/12\/grace-jones-1-300x300.jpg\" class=\"attachment-medium size-medium\" alt=\"\" aria-describedby=\"gallery-3-42142\" srcset=\"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2020\/12\/grace-jones-1-300x300.jpg 300w, https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2020\/12\/grace-jones-1-150x150.jpg 150w, https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2020\/12\/grace-jones-1-768x767.jpg 768w, https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-content\/uploads\/sites\/64\/2020\/12\/grace-jones-1.jpg 1024w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-3-42142'>\n\t\t\t\t&#8220;Portfolio by Grace Jones, 1977&#8221; by jovike is licensed under CC BY-NC 2.0\n\t\t\t\t<\/dd><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<ol start=\"4\">\n<li>\n<h3><strong>1980s<\/strong><\/h3>\n<\/li>\n<\/ol>\n<p>It was a jumpsuit and a pair of go-go boots, that separated the legendary Prince from the rest.<\/p>\n<p>His heels, the thin moustache and the silk suits let the world know that sexuality is on a spectrum, much like gender is.<\/p>\n<p>Meanwhile, Grace Jones flipped between masculinity and femininity like no other \u2013 she walked the line of androgyny perfectly and did so with flattop hair and chiselled features.<\/p>\n<p>Her partner Jean-Paul Goude put it like this \u201cMen think she\u2019s sexy. Women think she\u2019s a little masculine, and gays think\u00a0she\u2019s a drag queen.\u201d<\/p>\n<p>According to The Atlantic, the 80s felt like a \u201cstylistic whiplash\u201d, to the more obvious gender-bending of the 70s.<\/p>\n<ol start=\"5\">\n<li>\n<h3><strong>1990s<\/strong><\/h3>\n<\/li>\n<\/ol>\n<p>In the 1990s men rocked a new version of masculinity. The gender rule book was well and truly out the window when Kurt Cobain played with blonde locks, eyeliner and babydoll dresses.<\/p>\n<p>Gen X questioned the limits of gender and they called it grunge.<\/p>\n<p>According to Communities Of The Air: Radio Century, Radio Culture, &#8220;[Nirvana&#8217;s] spectacular commercial successes entailed the popularization of non-heterosexist, anti-binarizing notions of gender and sexuality, the trumpeting of progressive political causes, and the representation of male experience in a high romantic and often decadent-aesthetic language.&#8221;<\/p>\n<p>As for women, they were still borrowing from their male counterparts, donning lumberjack shirts and combat boots.<\/p>\n<p>Women of this era made it known that they were not defined by their sex appeal.<\/p>\n<p>By the time Gucci&#8217;s creative director Alessandro Michele decided to send men down the runway in pussy-bow blouses and shrunken sleeve pea coats in their 2015 fall show or when Saint Laurent&#8217;s male models walked the run way in high heels and hot pink fur coats, androgynous fashion wasn&#8217;t a new concept.<\/p>\n<p>Now a new generation is defining gendered-dressing, rather than defining them as &#8216;boys&#8217; clothes or &#8216;girls&#8217; clothes.<\/p>\n<p><strong>Words: Leah Nelson | Subbing: Grace Staley<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Social media was once again embroiled in a war of cultures. The topic: gendered dressing. US Vogue sparked passionate debates around masculinity and gendered dressing when they featured Harry Styles on the latest cover donning&#8230;<\/p>\n","protected":false},"author":476,"featured_media":42096,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[82],"tags":[],"class_list":["post-42088","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-lifestyle"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/posts\/42088","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/users\/476"}],"replies":[{"embeddable":true,"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/comments?post=42088"}],"version-history":[{"count":0,"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/posts\/42088\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/media\/42096"}],"wp:attachment":[{"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/media?parent=42088"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/categories?post=42088"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/blog.westminster.ac.uk\/thevoiceoflondon\/wp-json\/wp\/v2\/tags?post=42088"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}