PAST PROJECTS

WEB Essay (2024)

A Moment of Vertigo

The essay reflects on the rise of a new architecture of vertigo. It is published in the on-dizziness web platform.

EDITED BOOK (2024)

A COLLECTION OF ESSAYS on city photobooks EDITED BY D. DERIU AND A. MAGGI

Picturing Cities: The Photobook as Urban Narrative comprises 13 international contributions including an essay by Deriu on the right to the vertical city. This edited volume stems from an international conference of urban history that was held in Bologna (AISU 2019), jointly chaired by Prof. Angelo Maggi (Iuav University of Venice).

The book was published in open access by FrancoAngeli in April 2024. It can be downloaded on PDF here.

Photo-Essay (2024)

An experimental image-text piece published in the CCA web issue: Keep Safe

Davide Deriu’s photo-essay, On the Edge, inaugurates the new web issue published by the Canadian Centre of Architecture (CCA), which focuses on how different measures and regulations ensure or prevent safety in our built environment. This experimental image-text piece weaves together a series of photographs from the CCA collections that feature protective barriers such as handrails and parapets. It revisits prominent place in the canon of Western architectural history in order to explore how photographs can visualise the tense state of being on the edge. By disrupting the logic of the archive, the essay draws on the indeterminate character of fragments to provoke new insights and interpretations.

On Balance: Architecture and Vertigo (2023)

The main output stemming from this project to date is the monograph, On Balance: Architecture and Vertigo (DERIU, 2023). Below are details of the publication, reviews and related talks.

Description:

On Balance reflects on the precarious equilibrium at the heart of contemporary cities, where the drive to conquer ever greater heights has reconfigured our notion of abyss. Exploring the spatial thrills as well as anxieties associated with vertigo, the book traces how different subjects experience, represent and transgress buildings and the spaces in between. This broad-ranging exploration of vertigo reveals architecture to be central to our perception of balance at multiple sensory, spatial and social levels.

Book details here

Talks

Several panel discussions and public talks and have been held following the publication of the book:

School of Architecture and Cities, University of Westminster, London (23 March 2023)
Ca’ Tron Palace, Iuav University of Venice (19 April 2023)
Zentrum Fokus Forschung, University of Applied Arts, Vienna (24 May 2023)
Faculty of Architecture, Middle East Technical University, Ankara (22 December 2023)*

* Keynote lecture at METU Architectural History Graduate Symposium on Health & Architectural History

Reviews

Interviews

Unfrozen: a podcast about architecture and urbanism
On Certain Groundlessness – Navigating Dizziness Together
F ast Company (online magazine)

FALLING AWAY EXHIBITION (2021)

AN EXHIBITION OF CATHERINE YASS' VERTIGINOUS FILM INSTALLATIONS AT AMBIKA P3

The exhibition Falling Away brings together Catherine Yass’s vertiginous film installations at Ambika P3. The first retrospective of the artist’s extensive body of film work, it spans the past two decades and includes a new work made in response to the impact of COVID-19 and global warming. Ambika P3’s vast subterranean space will engage audiences in the disorientating effects of Yass’s films, which portray architecture in a state of construction, abandonment or demolition. By engaging with our perception of verticality, these works address the relationship between material structures and the powers and institutions that embody them.

Exhibition

22 October –
20 November 2021

ambika p3 London

The exhibition provokes us to think about the conditions of social and psychological instability in which we currently live. It draws attention to the vital role of public services, whose fragility has been exposed by the ongoing pandemic. For example, one of Yass’s films documents a hospital undergoing demolition from the perspective of the dying building, revealing a beleaguered NHS; in another film, the BBC appears vulnerable as its visionary TV Centre is dismantled for real estate. The sensory impact of these works will be fully experienced when exhibited in Ambika P3.

Since its inception, Ambika P3 has been developing innovative methods for forming a distinctly experimental art site, rather than a gallery or cinema. This exhibition will further question the multiple relationships between artist, image, space, and viewer, as well as the collaborative role of the curator as designer and co-producer.

Falling Away is co-curated by film-maker and Ambika P3 curator Michael Mazière and Davide Deriu, Reader in Architectural History & Theory at the University of Westminster. The exhibition is informed by Deriu’s research into vertigo in the city as well as Maziere’s interdisciplinary curatorial practice. It will be accompanied by a symposium, secondary school and community workshops. An exhibition catalogue, freely available in print and open access, comprises essays by art writers, historians and critics as well as by the curators.

Falling Away at Ambika P3: a video by Catherine Yass and Michael Maziere, with Nick Gordon Smith (camera), is available here

Falling Away
catalogue

reviews

Time Out

Contemporary Art Society

Era Journal: UCL Arts and Culture

FAD magazine

A reflective essay on Falling Away was published in the edited book, Vision and Verticality:

Davide Deriu, ‘After Falling Away: Reflections on a Vertiginous Art Exhibition’, in Gary Bratchford and Dennis Zuev (eds) Vision and Verticality: A Multidisciplinary Approach (Palgrave Macmillan, 2023), pp 137–144.

Falling away symposium (2021)

A one-day symposium held in conjunction with the Falling Away exhibition

The symposium brought together researchers and practitioners from a diverse range of disciplines to discuss the agency of falling in contemporary culture. Metaphors of falling are often evoked to describe the current period of insecurity and instability. At the same time, the built environment reflects and in turns reproduces this state of suspension: while highrise construction reshapes the landscapes of cities around the world, including London, its impact on our perception of gravity is yet to be understood. Typically defined as ‘the force that makes objects fall toward the earth’, gravity is so pervasive that we may overlook the ways in which it conditions our daily lives, and how we abandon ourselves to its force – or resist it.

How do creative practices engage with the perception of gravity, balance and falling? Can they mediate our fears and desires to lose the ground? What links can be drawn between the vertiginous spaces of our cities and the conditions of social instability in which we live? These and other related issues will be addressed from a variety of perspectives drawing on art, architecture, design, geography, psychology, and dance. Structured around a series of conversations, the symposium concluded with a panel discussion with the artist Catherine Yass.

The event was organised in conjunction with Falling Away, a major exhibition of Catherine Yass’s work in Ambika P3. Curated by Davide Deriu and Michael Mazière, the exhibition comprised seven vertiginous films of modern architectural structures that embody the institutions which built them. Spanning the past two decades, it was the first retrospective of the artist’s extensive body of film work in the UK. The joint events were aligned with the Vertigo in the City project based at the School of Architecture + Cities, University of Westminster.

Video of Symposium
22 october 2021

CONVERSATIONS BETWEEN THE SCIENCES, ARTS AND HUMANITIES (2015)

The exploratory phase of Vertigo in the City project was enabled by a Wellcome Trust small grant in the Medical Humanities, led by Dr Deriu in collaboration with Dr Josephine Kane (now at Royal College of Art, London). It consisted of a series of meetings, field trips and other activities conducted by a multi-disciplinary team of researchers comprising also Professor John Golding (Department of Psychology, University of Westminster) and Professor Brendan Walker (formerly based at the University of Nottingham, now at Middlesex University, London). This scoping mission culminated in a symposium and workshop held at the University of Westminster’s Faculty of Architecture and The Built Environment (now School of Architecture and Cities) on 29-30 May 2015. It was the first event that brought together scholars and practitioners from the sciences, arts and humanities to discuss how vertigo is variously analysed, treated, conceptualised and represented in relation to cities.