By Anna Morcom In today’s Tibet, popular music is showcased vigorously by the state on television and in festivals, and in fact, popular music emerged in Tibet from state institutions. At the same time, it is widely seen as subversive…
...read more
By Yiu-Wai Chu “Music, like identity, is both performance and story,” argued by Simon Frith in his often cited essay “Music and Identity”: it “describes the social in the individual and the individual in the social.” In the context of…
...read more
By Sheng Zou As nationalist sentiment climaxed in Mainland China in the wake of the Hong Kong protests and amid the celebrations of the 70th anniversary of the founding of the PRC, new life has been breathed into a number…
...read more
By Editor In our third issue, we discuss music, identity and community in contemporary China. We asked our contributors to reflect on recent trends, genres, and the politics of music production and consumption as it plays out across cultural spaces…
...read more