This study establishes and examines the concept of Collateral Listening, as an inherent aural condition to atmospheres of loudness, particularly in armed conflict. Informed by the controversial category of collateral damage, that operates within the fundamental principles of the Laws of Armed Conflicts, Collateral Listening examines the obscured zones of violence. The alienation of the listener as such is further instrumentalised by retributive and coercive military practices. Additionally, this investigation into the sonorities of loud, percussive blasts, their geographical make-ups, and the legal status of their listeners exposes the uncertainties in the laws that oversee hostilities and govern the usage of weapons.
Mhamad Safa is an architect, composer and researcher in sonic matters. Based between London and Beirut, Safa’s work explores the spatial and psycho-social dynamics of sound and listening within environments of conflict and violence. He is a graduate of the Center of Research Architecture at Goldsmiths London and is currently a PhD candidate in International Law at the University of Westminster. He is part of the Law and Theory Lab and an Associate Lecturer in Media Studies at the Royal College of Art.